ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body that can record native 4K at up to 120 fps. Fast and easy operation is assured through numerous usability improvements and a simple menu structure that will be intuitively familiar to crews. ALEXA 35 is the best A-camera, B-camera, and action camera on the market, all rolled into one.
Designed for flexibility
Five interchangeable lens mounts, two scratch mics, and internal FSND filters make ALEXA 35 ideal for changing shooting requirements. ACs will love the body-mounted LBUS connector, built-in serial port for distance measuring devices, and hot-pluggable viewfinder.
For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.
17 stops of dynamic range
2.5 more stops than previous ALEXA cameras, with filmic highlight roll-off
Natural and beautifully rendered skin tones
Subtler tonal variations for immersive and emotionally powerful images
Easy workflow with REVEAL Color Science
REVEAL Color Science logo - POS - LARGE - RGB
ARRI Debayer Algorithm ADA-7
ARRI Color Engine ACE4
ARRI Wide Gamut AWG4
LogC4 Curve
LogC4 Look Up Tables
Backwards Compatible
ARRI Debayer Algorithm ADA-7
First step in the new and improved image pipeline
Converts ARRIRAW into camera native RGB image data
4.6K Super 35 sensor
Wide lens choice
ALEXA 35 can be used with a vast array of lenses--modern and vintage, anamorphic and spherical, Super 35 and large-format. If you want to shoot with ARRI cameras while fulfilling native 4K mandates, you now have an immeasurably broader lens choice.
19 recording formats
A total of 19 ARRIRAW and Apple ProRes recording formats, incorporating efficient in-camera downsampling and anamorphic de-squeezing, allow you to optimize data rate, resolution, and other parameters, based on your individual needs.
Choose your digital film stock
ARRI Textures allow you to alter the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived as sharpness. Previous ALEXA cameras were pre-programmed with a default texture, but ALEXA 35 lets you choose from a menu of ARRI Textures, like selecting a film stock.
Designed for flexibility
Five interchangeable lens mounts, two scratch mics, and internal FSND filters make ALEXA 35 ideal for changing shooting requirements. ACs will love the body-mounted LBUS connector, built-in serial port for distance measuring devices, and hot-pluggable viewfinder.
New side display
Read status and change settings without a viewfinder via the new camera left-side display and jog wheel. Great for TRINITY, Steadicam, Easyrig, drones, and cranes.
HDR viewfinder
Familiar MVF-2 viewfinder and menu structure from ALEXA Mini LF; now with the option to switch to HDR viewing in the eyepiece.
Integrated electronic modules
The Power Distribution Module PDM-1 (center) offers seven extra power accessory outputs, while the Audio Extension Module AEM-1 (right) provides two incredibly clean microphone preamp channels for onboard audio recording, as well as extra power outputs.
Media bay for Compact Drive 1TB and 2TB
All existing 1TB compact drives will work with the ALEXA 35, and the new 2TB version brings incredibly high frame rates to uncompressed ARRIRAW recording.
Versatile connectivity
ALEXA 35 offers a host of inputs and outputs for all your accessories. Highlights include two completely independent 12G SDI outputs, an ethernet connector for real-time streaming metadata, and regulated 12 V and 24 V accessory power outputs.
B-Mount, the new 24 V standard
Improved mechanics, impressive metadata, and enough power for all your accessories.
Below is a comprehensive review and test footage of the Alexa 35, courtesy of the guys from CVP, UK.
