On the following video, Sony's Peter Crithary talks about what is new with the Sony Venice Version 2 Firmware, including variable frame rates, ProRes capabilities, simultaneous recording, false color,
user uploadable 3D LUTs, new imager modes, native E-Mount, Dual Base ISO 2500 mode, wired LAN control and more.
VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.9×18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9×14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film).
VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 anamorphic and spherical and full-frame 24mm-height anamorphic and spherical. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.
For more information visit, pro.sony/VENICE
