Pictured (L-R) Claude Girard, Producer Edward McDonnell, Canadian
cultural journalist Tanya Lapointe, Canadian director Denis Villeneuve
(with Sicario movie in competition this year), French Actress Irène
Jacob, Polish writer & director Agnieszka Holland, DoP Roger
Deakins with his wife James, Thales Angénieux President Pierre Andurand.
During the 68th annual Cannes Film Festival, Angénieux paid tribute to Roger Deakins BSC, ASC on May 22nd, 2015 at the third edition of the Pierre Angénieux Excellens in Cinematography ceremony. This award spotlights the work of Directors of Photography with past honorees including Philippe Rousselot AFC, ASC in 2013 and Vilmos Zsigmond HSC, ASC in 2014.
At the ceremony, a prestigious delegation composed of directors, producers, actors and actresses involved in Roger Deakins' career came to express their respect and appreciation. Guests included directors Joel and Ethan Coen (Deakins photographed eleven of their movies), director Agnieszka Holland (Deakins worked on The Secret Garden), director Denis Villeneuve (Deakins was involved in Prisoners, Sicario, which was in Competition this year at Cannes and the upcoming Blade Runner project), actresses Frances Mc Dormand and Irène Jacob and actor Jake Gyllenhall. Thierry Frémaux, Délégué Général of the Festival, Mike Eyle, a governor on the Board of the BSC and Richard Andry, Vice President of the AFC, also expressed their admiration to Roger Deakins and his contribution to cinema.
Thales Angénieux President, Pierre Andurand, presented Roger Deakins with an Optimo 45-120mm zoom lens specially engraved with his name. Following the ceremony, a dinner was held at La Plage du CNC, where
singer Melissa Laveaux performed a
private concert for a hundred of
Angenieux’s guests.
Angenieux's Pierre Angenieux Excellens in Cinematography Award:
an Angénieux Optimo 45-120 zoom lens specially engraved to Roger Deakins
Roger Deakins receives the
Pierre Angénieux Excellens Lifetime Achievement Award
for
Cinematography at 2015 at Cannes Film Festival.
Pictured (L-R) Agnieszka Holland, James Deakins, Roger Deakins, Ethan Cohen and Frances Mc Dormand
Roger Deakins, known for several collaborations with the Coen Brothers, has worked with many directors including Tim Robbins, Martin Scorcese, Sam Mendes, Denis Villeneuve and Angelina Jolie. He has been a part of an incredible number of movies that are today monuments of cinema such as Barton Fink, The Shawshank Redemption, Fargo, Kundun, The Big Lebowski, O Brother, Where Art Thou?, The Man Who Wasn't There, The Assassination of Jesse James, No Country for Old Men, The Reader, True Grit, Skyfall and Prisoners.
Actress Irene Jacob, James Deakins, DP Roger Deakins, Director Denis Villeneuve and Tanya Lapointe attend the Premiere of "Sicario" during the 68th annual Cannes Film Festival
Along with the tribute presented to Roger Deakins, Angénieux was also particularly present at this Cannes Festival through a wide number of movies shot with Angénieux lenses. Below is a list of movies screened at Cannes and shot with Angénieux lenses:
Out-of-Competition and special Screenings
La Tête Haute by Emmanuelle Bercot -DP Guillaume Schiffman AFC
Mad Max: Fury Road by Georges Miller -DP John Seale
Une Histoire de Fou by Robert Guédiguian - DP Pierre Milon AFC Official Selection / In Competition
Dheepan de Jacques Audiard – DP Eponine Momenceau – Palme d’Or
Mon Roi by Maïwenn - DP Claire Mathon AFC
Youth by Paolo Sorrentino - DP Luca Bigazzi
For more information about the Pierre Angénieux Excellens Lifetime Achievement Award for Cinematography and lenses visit http://www.angenieux.com/
Competition
CAROL Directed by Todd HAYNES
CHRONIC Directed by Michel FRANCO DHEEPAN Directed by Jacques AUDIARD PALM d'or
IL RACCONTO DEI RACCONTI (TALE OF TALES) Directed by Matteo GARRONE
LA LOI DU MARCHÉ (THE MEASURE OF A MAN) Directed by Stéphane BRIZÉ
LOUDER THAN BOMBS Directed by Joachim TRIER
MACBETH Directed by Justin KURZEL
MARGUERITE & JULIEN Directed by Valérie DONZELLI
MIA MADRE (MY MOTHER) Directed by Nanni MORETTI
MON ROI Directed by MAÏWENN NIE YINNIANG (THE ASSASSIN) Directed by HOU Hsiao-Hsien BEST DIRECTOR SAUL FIA (SON OF SAUL) Directed by László NEMES GRAND PRIX
SHAN HE GU REN (MOUNTAINS MAY DEPART) Directed by JIA Zhang-Ke
SICARIO Directed by Denis VILLENEUVE THE LOBSTER Directed by Yorgos LANTHIMOSJURY PRIZE
THE SEA OF TREES Directed by Gus VAN SANT
UMIMACHI DIARY (OUR LITTLE SISTER) Directed by KORE-EDA Hirokazu
VALLEY OF LOVE Directed by Guillaume NICLOUX
YOUTH Directed by Paolo SORRENTINO
Un Certain Regard
ALIAS MARÍA (ALIAS MARIA) Directed by José Luis RUGELES GRACIA
AN Directed by Naomi KAWASE
CHAUTHI KOOT (THE FOURTH DIRECTION) Directed by Gurvinder SINGH COMOARA (THE TREASURE) Directed by Corneliu PORUMBOIU Uncertain Talent Prize HRÚTAR (RAMS) Directed by Grímur HAKONARSON Grand Prix
JE SUIS UN SOLDAT (I AM A SOLDIER) Directed by Laurent LARIVIÈRE KISHIBE NO TABI (JOURNEY TO THE SHORE) Directed by KUROSAWA Kiyoshi Best Director
LAMB Directed by Yared ZELEKE
LAS ELEGIDAS (THE CHOSEN ONES) Directed by David PABLOS
MADONNA Directed by SHIN Su-Won
MARYLAND (DISORDER) Directed by Alice WINOCOUR
MASAAN Directed by Neeraj GHAYWAN
MU-ROE-HAN (THE SHAMELESS) Directed by OH Seung-Uk
NAHID Directed by Ida PANAHANDEH
RAK TI KHON KAEN (CEMETERY OF SPLENDOUR)
Directed by Apichatpong WEERASETHAKUL
TAKLUB Directed by Brillante MENDOZA
THE OTHER SIDE Directed by Roberto MINERVINI
UN ETAJ MAI JOS (ONE FLOOR BELOW) Directed by Radu MUNTEAN ZVIZDAN (THE HIGH SUN) Directed by Dalibor MATANIC Jury Prize
Short films in Competition
AVE MARIA Directed by Basil KHALIL
COPAIN (BUDDY) Directed by Jan ROOSENS, Raf ROOSENS
LE REPAS DOMINICAL (SUNDAY LUNCH) Directed by Céline DEVAUX
LOVE IS BLIND Directed by Dan HODGSON
PATRIOT Directed by Eva RILEY
PRESENTE IMPERFECTO (PRESENT IMPERFECT) Directed by Iair SAID
SALI (TUESDAY) Directed by Ziya DEMIREL
THE GUESTS Directed by Shane DANIELSEN
WAVES '98 Directed by Ely DAGHER
COMPLETE LIST OF WINNERS
FEATURE FILMS - COMPETITION
Palme d'or
DHEEPAN by Jacques AUDIARD
Grand Prix
SAUL FIA (Son of Saul) by László NEMES
Best Director Award
HOU Hsiao-Hsien for NIE YINNIANG (The Assassin)
Jury Prize
THE LOBSTER by Yorgos LANTHIMOS
Best Actress Award
Rooney MARA in CAROL by Todd HAYNES
Emmanuelle BERCOT in MON ROI by MAÏWENN Best Actor Award
Vincent LINDON in LA LOI DU MARCHÉ (The Measure of a Man) by Stéphane BRIZÉ Best Screenplay Award
Michel FRANCO for CHRONIC
SHORT FILMS - COMPETITION
Palme d'or
WAVES '98 by Ely DAGHER
CAMÉRA D’OR
LA TIERRA Y LA SOMBRA by César Augusto ACEVEDO presented during La Semaine de la Critique
The Jury of the CST has awarded the VULCAN AWARD OF THE TECHNICAL ARTIST to:
Tamas ZANYI, sound engineer, for the outstanding contribution of sound to the narration of SAUL FIA (Son of Saul) by László NEMES.
The director and French artist, Agnès VARDA, received an honorary Palme d'or for her collected works from Jane Birkin. The closing film La Glace et le Ciel (Ice and the Sky) by Luc Jacquet was screened at the end of the Ceremony.
This is a webcast from Cannes Film Festival with renowned cinematographer Peter Suschitzky ASC. The webcast provides a unique opportunity to hear the master cinematographer talk about his distinguished creative journey and his experience this year as he joins the judging panel of La Semaine de la Critique at Festival De Cannes.
Peter Suschitzky has been shooting films since 1964, notably alongside David Cronenberg. His impressive filmography includes Star Wars Episode V: The Empire Strikes Back, Mars Attacks!, Naked Lunch, Crash, After Earth shot on the F65 and, most recently, Maps to the Stars shot on the F55.
By producing this worldwide webcast interview, Sony UK continues its commitment to the movie industry.
Dialogue with ASC Cinematographers at J.L. Fisher, SOC, ICG,& ASC
9th Annual Open House & BBQ
The SOC Moving Camera Seminar at J.L Fisher, SOC, ICG & ASC
9th Annual Open House & BBQ
Michael Goi, ASC and George Spiro Dibie, ASC
Robert Primes, ASC answering questions from the attending audience at
the seminar
Dialogue with American Society of Cinematographers Members
(ASC)
Dr. Thomas Lee & Michael Frediani, SOC.at the Society of Camera
Operators booth.
The big raffle prize raising funds in behalf of The
Children Hospital Los Angeles
was a Blackmagic URSA PL camera
The SOC Moving Camera Seminar at J.L Fisher, SOC, ICG & ASC
9th Annual Open House & BBQ
Headcase Cinema Quality VR 360 by Radiant Images
Mole Richardson daylight fixtures (5600 K), Mole 250W Softlite LED, 500W Softlite LED, 900W LED Spacelite 4 on stand (illuminating
face)
A true work horse, Arri 435 on a Fisher 10. (nope , they are not dead
yet).
A J. L Fisher Quattro Pedestal in the background and curved
dolly tracks
The ubiquitous drone. FAA approved Pictorvision’s PV-ML1 medium-lift unmanned aircraft,
which carries a GH4 camera package
Award winning Cooke Primes Lenses Si 27mm T2, Si 40mm T2 ,
5i 65mm T1.4 from ZGC
Movi M 15 with a Ready Rig Cinepro from Radiant Images
stabilizing an ARRI 435
A Sony 65 with 18-85mm Fujinon on a Oconnor fluid head,
JL Fisher riser, Fisher 10 dolly on curved tracks
Car mounts on suction cups
The J.L. Fisher, SOC, ICG,& ASC Open House & BBQ is a great way to spend time socializing with colleagues, friends and vendors while checking out all latest products and services the fast changing motion picture industry has to offer.
Just announced by Canon, the XC10 brings 4K to a compact, versatile system that incorporates a built-in 10x f/2.8-5.6 zoom lens, flip-out 3.0" LCD touchscreen, and a 90-degree rotatable handgrip. Its 1"-type CMOS sensor delivers 8-bit 422 video up to Ultra HD at 24 and 30 fps to CFast 2.0 memory cards. In addition to 4K video, the camera can also capture 12-megapixel photos independently, or extract still images while recording or playing back video. Other notable features include Cinema EOS picture profiles — including the Wide DR and Canon Log — built-in Wi-Fi, and a 4K HDMI 2.0 output.
The Litepanels Caliber 3-Light Kit is the portable, out-of-the-box lighting solution that today’s professional videographers have been waiting for. Ideal for webcasting, blogging and professional content creators, the compact Caliber 3-Light Kit enables easy travel and fast setup.
The latest addition to Litepanels’ award-winning line of LED Fresnels, the Caliber is a true Fresnel fixture with wide focus range that can be powered via AC or with AA batteries. Each fixture offers focusable output comparable to a 150W tungsten yet requires only 17W to power it. The fixture’s compact size and high intensity output make it a valuable production tool in the field. Weighing in at less than 13 pounds, each kit contains (3) Caliber fixtures, (3) AC Adapters with international plug sets, (3) multi-jointed flexible tripods, and a compact stand with stand adapter, offering additional placement options. Everything comes packaged in a fully customizable soft case, with plenty of additional storage space for batteries, camera lenses and other items.
The Sidefinder is a fully featured HD viewfinder with a flip-out 1080p display. It’s the brilliant, natural union between the SmallHD 500 Series Monitor and a cleverly designed, patent-pending, EVF loupe. The Sidefinder gives shooters all the benefits of using a field monitor AND an EVF, without compromising speed, agility, or quality of the image. The Sidefinder represents the highest resolution EVF and the highest resolution 5-inch on-camera monitor in one device.
DJI has just announced the latest update to their Phantom line, which looks set to be a direct replacement of the Phantom 2 — the Phantom 3 Quadcopter . Initially two versions will be available, the Advanced Edition identified by silver stripes on the prop arms, and the Professional Edition likewise distinguished by gold stripes. The most notable feature of these new quadcopters — at least as far as the aerial market is concerned — is the incorporation of a purpose-built, 3-axis gimbal stabilized camera system similar to the one currently found on the Phantom 2 Vision+. Differentiating the Advanced and Professional models is the video resolution of the camera. The Advanced tops out at 1080p, while the Professional bumps recording capability up to 4K. On the photos side, both cameras are equally blessed, able to capture 12MP stills in either JPG or DNG RAW format.
Canon has announced the latest addition to its Cinema EOS family — the C300 Mark II. The camera features several major upgrades over its predecessor; most notably, the ability to record 10/12-bit 4K video at either DCI 4K or Ultra HD resolution internally to CFast 2.0 cards. Additional updates include 4K Raw output over 3G-SDI, a 4K-cappable HDMI 2.0 output, and a new OLED electronic viewfinder. The camera is available with either a Canon EF or PL lens mount, with the EF mount version able to take advantage of Canon's Dual Pixel CMOS AF Technology with compatible lenses.
The Academy and Partners launch ACES at NAB Show!
The Academy Color Encoding System (ACES) is becoming the industry standard for managing color throughout the life cycle of a motion picture or television production. From image capture through editing, VFX, mastering, public presentation, archiving and future remastering, ACES insures a consistent color experience that preserves the filmmaker’s creative vision. In addition to the creative benefits, ACES addresses and solves a number of significant production, post-production and archiving problems that have arisen with the increasing variety of digital cameras and formats in use, as well as the surge in the number of productions that rely on worldwide collaboration using shared digital image files.
ACES is a free, open, device-independent color management and image interchange system that can be applied to almost any current or future workflow. It was developed by hundreds of the industry’s top scientists, engineers and end users, working together under the auspices of the Academy of Motion Picture Arts and Sciences.
ACES 1.0 is the first production-ready release of the system, the result of over 10 years of research, testing and field trials. It includes support for a wide variety of digital and film-based production workflows, visual effects, animation and archiving.
Fiilex Proudly Announces the K303 and All-Weather K304 Three Light Fresnel Kits
A bold take on one of our most popular kits, the standard K303 and All-Weather K304 give you even more power out of the same compact case by offering three color tunable P360(EX)s and three brilliant P2Q Converters. The P2Q Converter attaches to the P360(EX) and uses a 5-Inch Fresnel Lens to intensify the center lux an incredible 8x, focusing the beam angle from 65º to 14º and delivering a hard light and clean shadow. The K303 and K304 offer the perfect balance between power and portability.
Movcam is dedicated to perfecting image stabilization, providing high quality products at an affordable price compared to the leading competition. Movcam's leading stabilization system has a new line designed specifically to work with popular gimbal systems: DJI Ronin* and MoVI**. The stabilization system is available in 2 models: 44 lbs (20 kg) and 55 lbs (25 kg).
Mount Ready: Comes with 2 2" diameter speed rail tubes, 2 stabilization arms rated to either 20kg or 25kg, depending on model. Mounts to industry standard 2" pipe clamps.
G-Mount: The G-Mount is required for use with the DJI Ronin*. Movcam also created a separate dovetail adaptor for use with MoVI**. Mounting the MoVI** gimbal requires both the G-Mount and the dovetail adaptor
Alexa Mini is a 35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System
Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously -- a compelling option for multi-camera setups such as 360° plate shots. Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.
The Universal Hand-Held Support Rig Offers Flexibility Needed
for Accessorized Digital Cinematography
OConnor, a Vitec Group brand and premier provider of fluid heads, tripods and camera accessories for film and television production, will unveil its new O-Rig 15mm Rod Support System at NAB 2015. The versatile, hand-held support rig is perfectly suited to the a la carte configurations of today’s accessorized digital cinematography. The O-Rig is designed to work with any camera/lens combination in 15mm LWS (Light Weight Support) configuration, including the latest offerings from Sony, Canon, Nikon, ARRI, AJA, JVC, Panasonic, Vision Research and RED. OConnor will showcase the newest addition to its award-winning lineup of camera supports and accessories at their NAB exhibit (Booth #C6025) in Las Vegas, April 13-16.
OConnor’s O-Rig is camera and lens agnostic, providing cinematographers maximum flexibility. Its new, proprietary universal baseplate enables quick and easy camera and lens changes. A height adaptor offers cover for all camera bodies, providing rotation of wide-angle filters, and increasing the lens coverage of OConnor’s O-Focus follow focus unit. Uniquely crafted to deliver superior ergonomic performance, the O-Rig also allows users to effortlessly move from shoulder mount to tripod and back again.
“Whether our users need to bolt an increasing amount of equipment to their camera or they’re looking to maximize their rig for as many configurations as possible, the O-Rig can support them,” said Steven Turner, Product Manager for OConnor. “All of OConnor’s products are engineered to meet the demands of today’s challenging camera work, and now, more than ever, flexibility is key. We believe cinematographers, operators, and rental facilities will be pleased to have such a robust and durable solution from a trusted brand.”
The O-Rig system is housed in a robust Storm Case, fitted with custom-cut, high-density foam. Each kit includes: an award-winning O-Grips handgrip system; an infinitely adjustable offset adaptor, which allows users to easily reposition camera viewfinders and provides comfort adjustments for shoulder pads; and a shoulder pad with hand-stitched leather construction and aluminum detailing, giving versatile positioning of rods through pad for optimizing counterweight, camera balancing, and body ergonomics. Individual elements within the O-Rig kit will also be available, and are compatible with other 15mm LWS accessories.
While the new O-Rig system delivers robust quality and ease of use, it was also designed with an eye towards the future. “The O-Rig is the definition of future proofing,” added Turner. “As camera technology continues to evolve rapidly, cinematographers and operators cannot be locked in. They need adaptable solutions that allow them to change and grow, and the O-Rig delivers that versatility without comprising performance.”
The O-Rig 15mm Rod Support System will be available worldwide in May. Customized shoulder rig packages, designed to support specific cameras, can be assembled upon request.
For more information, visit OConnor at www.ocon.com.
Cobra Gypsies offers a contemporary and colorful window to the amazing ancient culture of the nomadic Kalbeliya tribes, living in rural Rajasthan, Northern India. The film explores their culture of eternal dance, syncopated music, snake charming, colorful fashion and the nomadic way of life of these exotic looking castoffs, ancestors to the modern Roma Gypsies living in Europe today.
COBRA GYPSIES - full documentary
Cobra Gypsies seems like an amazing accidental ethnographic film and it is reminiscent of the aesthetics utilized by Nouvelle Vague visual anthropology filmmaker, Jean Rouch on documentaries like "Me a Black" (Moi, un Noir)" but in a more transparent factual way.
Although, the Kailbelyas subjects posed for the camera like for a fashion editorial spread, the action permeates ingenuity and sets a frank connection between the Kailbeliya subject and the audience.
Raphael Treza, a French musician and filmmaker, creates in Cobra Gypsies not only a compelling documentary with an outstanding soundtrack, but a colorful digital postcard like journal, postmarked in Rajasthan for the whole world to see.
In 2010, the Kalbeliyas folk songs and dances of Rajasthan were declared a part of the Intangible Heritage List by the UNESCO
ARRI launched a new series of Master Anamorphic Flare Sets. Each of the 7 ARRI/ZEISS Master Anamorphic lenses gets its own individual and easily replaceable front and rear glass elements. They can be used individually or in combination.
The ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lens series. Each of the seven Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements with a special lens coating that encourages flaring, ghosting and veiling glare. The flare elements can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.
The front and rear glass elements of each Flare Set have a special lens coating that enhances flaring, ghosting and veiling glare. These effects are consistent across all of the Flare Sets. You can control the aberrations by changing the lens aperture or positioning extra flare lights out of frame (Maglights attached to mattebox aiming into the lens). The Master Anamorphics retain their resolution, lack of distortion and corner-to-corner optical performance even with the Flare Sets attached.
An ARRI Master Anamorphic Toolkit (purchased separately) is used to exchange the front and rear optical elements. It only takes a few minutes: each flare element is pre-aligned in a metal frame.With the Master Anamorphic Flare Kits, a set of Master Anamorphics multiplies and essentially becomes four different sets, each with different characteristics, while still being free of curved horizons, focus breathing, mumps, barrel and pincushion distortion.
By using the ARRI Master Anamorphic Toolkit, the front and rear glass elements can be exchanged with the regular Master Anamorphic elements in a matter of minutes, since each flare element is pre-aligned in a metal frame. A set of Master Anamorphics effectively becomes four different anamorphic lens sets, each suitable for different flaring requirements while maintaining the famously distortion-free optical performance.
Main Features
Each focal length can now deliver four distinct looks
Economical way of offering greater on-set creativity
Distortion-free optical performance retained
Flare elements can be exchanged in minutes
The language of music is rhythm and rhythm is the language of life. Dance and music are a universal language. Every culture has music and a dance that is attached to the tradition of their people. Tap dancing is a traditional American art form and it have inspired a number of talented creative dancers since the times of the famous Bill Bailey, Cholly Atkins, Ann Miller, Hermes Pan, Bill "Bojangles" Robinson, Bunny Briggs, Fred Astaire to the new generation of tap dancers such as, Gregory Hines, Savion Glover, Ted Levy and Van Porter, and Steven Harper.
Tap World, is a documentary about the best and most creative tap dancers to be found today in our backyard and around the world. The participants are not necessarily rich or famous and some of them are just teachers and students, but all of them are certainly talented. TAP WORLD brings to the audience an explosion of music, rhythm, movement and folklore, the culture of Tap Dance.
Steven Poster ASC, Chloé Arnold and Maud Arnold,
with dancers and participants of the film
The project started around 2012 by choreographer and performer, Chloé Arnold and teacher and performer Maud Arnold. The production team was led by Emmy Award winning executive producer Dean Hargrove and producer Jeff Peters who created the acclaimed tap dance short film TAP HEAT. Dean Hargrove directed TAP WORLD and Steven Poster, ASC was Producer/Supervising Director of Photography.
A special dance act was presented prior the premiere
In order to acquire the necessary footage of dance and interviews around the world, the production team created a website portal to receive submissions - a casting call, if you will- to be reviewed under the strict guidelines set by the producers. After months of traveling and screening submissions, the results were amazing. A vibrant compilation of two generations of tap dancers, each of them with their own original style and identity, yet all of them dance in perfect sync regardless of age, race, place of origin and geographic location.
If you can say it...you can dance it! Tap..ball heel..scuffle...riff. The language of music is rhythm and rhythm is tap...toe stand..stomp...jump..!
Executive Producer and Director Dean Hargrove
"Historically tap dance has brought different cultures together allowing them to communicate through jazz and dance. The global community of tap dancers is growing rapidly and the new young tap dancers coming out today are not only becoming great artists but also leaders for our communities"
Robert Forster and Denise Grayson attended the premiere
TAP WORLD it is a feel-good ethnographic documentary showing a interlaced global culture bounded together for the love of an art form. The spirit of collaboration of all performers demonstrate the required perseverance, skill, and talent needed it to become a proficient dancer. But beyond of those requirements, the documentary also shows that there is hope for a better future practicing the art of tap dancing. For example, in Brazil, it is hope for a better education for those living in the marginalized society of the favelas when they are able to go to tap dance school and learn this truly universal craft that later on they could call it their own.
Dean Hargrove and guests
I had the best time watching the film, it is well produced and it is certainly inspiring and educational. From this moment on, I will be more discerning when watching an old Fred Astaire routine on "Remember When TV" or if I get to attend to a modern stage to see the likes of Savion Glover or if by the street or subway, I hear tap..tap..tap..heel..heel ..slide, I will be sure then to stop and take my time to see the tap dancer perform.
It has been a good two consecutive years for cinematographer Enmmanuel Lubezki who has won every single major cinematography award of the motion picture industry in 2015 for the tenacious and imaginative making of the independent dark comedy Birdman (or The Unexpected Virtue of Ignorance). Birdman won big this year at the Academy Awards for Best Picture, Best Director-Alejandro Gonzalez Iñarritu-, Best Original Screenplay and Best Cinematography. Prior Oscar night, Lubezki also bagged for himself, the most prestigious awards of the industry, a BAFTA, an ASC and the Independent Spirit Award for Best Cinematography.
Last year, Lubezki originated the same fete, winning almost every single cinematography award and sealing the recognition deal by winning a BAFTA award, an ASC award and the Academy Award for Best Cinematography for the 3D science-fiction thriller "Gravity" under the helm of his friend and long time collaborator, Alfonso Cuaron.
On Gravity, the complexity of making us believe the actors were actually into deep space was challenging at best, so director Alfonso Cuaron and cinematographer Lubezki utilized the latest on production and post-production techniques and equipment, some of it developed by themselves, to bring the award winning project to fruition. On Birdman, the challenge was of a different nature and the requirements of the script by director Alejandro Gonzalez Iñarritu was more visceral and immediate as Emmanuel Lubezki explains at the Academy Awards backstage interview:
"You know, this was probably the hardest movie I've ever worked on. And it was really hard because exactly what you mentioned, the shots were very, very long. And we were not doing coverage so everybody had to do their best every time and not mess it up. And I think that brought an energy to the movie that otherwise the movie would not have. And I think that stress and that a need for concentration made the acting so powerful and the camera and everything in the movie. So, to my humble opinion, it's so powerful because of that. And that's something that Alejandro wanted to do since he wrote the script.
He really wanted the movie to be in one shot or appear to be in one shot, and he didn't want to do any coverage because he knew that that was a way to immerse the audience in the movie, in the story, much deeper than than any other, you know, any other way we could have shot the movie. And also it would make the actors do their best every time because they are used to. Usually, we shoot movies with coverage, and we do a wide shot, and the actors give only 70 percent. And then when they do their close‑ups, they do 100 percent, but this time, they knew the shots were going to be in the movie, so they had to go for the whole thing, but you should talk to them, you know".
Q: What was your first reaction when Alejandro showed you the script and what was the challenge you had with Birdman?
"Well, the first time he talked about the movie, he said he wanted to do a movie in one shot before I read the script. And at that moment, I truly, honestly thought I hope he doesn't offer me this movie; I'm not interested. It sounds like a nightmare. And then when he brought the script and talked about the characters and why it had to be one shot, he captivated me, and I truly wanted to do the movie. And it was really, really complex, very hard. You know, there's no book that says how do it. It was like an experiment. And I have to say that is because he's a very strong, very curious artist. We went through the process and made this movie happen."
"I mean every movie has to be told in a different way, whatever is good for the script, whatever is good for the story, whatever is good for the director. And this just happened to be what Alejandro wanted to do and the way he wanted to tell the story and the way he wanted to immerse the people into this emotional journey of Riggan Thomson and I went for it. But usually the style doesn't come from me, it comes from the script, from the directors, from the locations where you shoot, etcetera, but mostly from what the directors need to tell their story.
The cinematographer's job is really to help them translate their ideas into images, and that's what I tried to do. So I don't know, if I will ever try something like this again. It will depend on what the director wants and what the script needs".
WELCOME TO THE WEBCAST DEDICATED TO THE CRAFT OF CINEMATOGRAPHY & MOTION PICTURE CAMERA OPERATION
FUJIFILM DUVO 14-100 LENS IS A DOUBLE WINNER NABSHOW PRODUCT OF THE YEAR.
FUJIFILM DUVO HZK 14-100 PORTABLE ZOOM LENS IS A DOUBLE WINNER NABSHOW PRODUCT OF THE YEAR.
The Duvo HZK 14-100mm Portable Zoom Lens from Fujinon is a compact and lightweight, dual-format, PL-mount zoom lens that can cover both Super35 and full-frame sensors.
Boasting a maximum aperture of T2.9, when paired with select cinema-type sensors, this lens covers a widely used 14-100mm range and delivers desirable results with shallow depth-of-field and attractive bokeh. A built-in extender expands the image circle by 1.5x, shifting the focal length to 21-150mm.
The lens design allows its operation to be in line with that of broadcast lenses using zoom and focus demands, and at only 6.5 lb, the Duvo HZK 14-100mm is built for portability.
SHOOT FILM
25 CINEMATOGRAPHY TIPS BY ROGER DEAKINS, ASC BSC
1. Don’t Get Distracted with Technique
“Operating the wheels needs to become second nature as it can be a disaster if the technique of operating distracts from the relationship that an operator has with the subject. When I was starting I practiced doing figures of eight with the wheels and progressed to signing my name with them.
I don’t feel the need to practice anymore but I do reassure myself that I can still sign my name each time I start a new film, if I am using a gear head. A gear head is not everyone’s choice and I don’t always carry one but it does have distinct advantages on certain set ups and on certain films.”
👉 CLICK IMAGE ABOVE FOR MORE
🇬🇧 MADE IN ENGLAND: THE FILMS OF POWELL & PRESSBURGER 🇬🇧
From Executive Producers
Martin Scorsese & Thelma Schoonmaker
🇬🇧 MADE IN ENGLAND:
THE FILMS OF POWELL AND PRESSBURGER
Martin Scorsese's personal journey through the films of Powell and Pressburger, the visionary British filmmakers behind classics like The Red Shoes and Black Narcissus, offers a captivating exploration of their genius and enduring influence on cinema.
Directed by David Hinton,
Narrated by Martin Scorsese
Click image above to download PDF booklet
THE CAMERA ASSISTANT’S MANUAL 7TH. EDITION
The Camera Assistant's Manual. 7th Edition.
ON SALE NOW! CLICK IMAGE ABOVE TO ORDER.
Excel as a Cameraman in today’s evolving film industry with this updated classic.
Learn what to do – and what NOT to do – during production and get the job done right the first time.
This seventh edition covers the basics of cinematography and provides you with the multi-skill set needed to maintain and transport a camera, troubleshoot common problems on location, prepare for job interviews, and work with both film and digital technologies.
Illustrations, checklists, and tables accompany each chapter and highlight the daily workflow of an Assistant Cameraman (AC), with expanded sections on problems and troubleshooting, updated formulas, tables, and checklists, as well as new information on the differences between working in the United States and UK and additional information on working with digital technology.
This is a must-have for anyone looking to succeed in this highly technical and ever-changing profession. This book features a comprehensive companion web site that offers plenty of useful resources, including online tutorials that ACs can easily access while on location and supplementary downloadable forms and checklists.
THE ICG SAFETY APP. ANDROID/IPHONE
The ICG Safety App update went live on Monday, April 8, 2024.
The updated app features a redesigned user experience, improved Hazard Report workflow, and much more. On April 8, the existing ICG Safety App should have automatically updated to the new version of the app, depending on your phone's settings. If automatic app updates are not turned on, you will need to manually update the app. For more information on updating apps, please refer to either the Apple or Android documents.
Submitting Through the App
Select the orange "Report Hazard or Unsafe Hours" button on the app to report your workplace safety issues. All submissions will be handled confidentially. Members from other Locals are also invited to submit a report (please include your Local in the comments section).
CLICK IMAGE TO DOWNLOAD APP
NEW! ANGENIEUX OPTIMO PRIME INTERNAL OPTICAL PALETTE (IOP)
⭐ The Angenieux Optimo Prime Internal Optical Palette (IOP) allows a cinematographer to add filtration inside each focal length, thus modifying the look of the lens. ---- This opens up a number of creative possibilities that weren't possible before! ---- Not only can filtration be added, but additional material could also be used, such as a net or cutout shape to create a unique bokeh. ---- The growing filtration options for these lenses currently includes the 1/8 Glimmer Glass, 1/8 Black Promist, and 1/8 Low Contrast. ——👉 AVAILABLE AT KESLOW CAMERA, click image above for more information.
ARRI ALEXA MINI LF
⭐ ARRI released ALEXA Mini LF Software Update Package SUP 7.1.1. --- This update has the same features as the previous release, but additionally supports the new Codex Compact Drive 2TB, Codex Compact Drives 1TB that were updated for new firmware in ALEXA 35, and all Compact Drives 1TB that are shipped following the release of this SUP. ---- Click image above for more information ⭐
THE STEADICAM OPERATORS ASSOCIATION. SOA.
The Steadicam Operators Association (SOA) was formed by Garrett Brown, the inventor of the Steadicam, and Nicola Pecorini in 1988 to train skilled Steadicam Operators and connect them with motion picture Producers, Unit Production Managers, and Directors of Photography. —— Today, SOA continues to organize and conduct workshops, as well as provide service and support to operators everywhere. —— Their goal is to evolve and expand a global community of Steadicam Operators, connecting professionals across the entire spectrum of film, broadcast, video, and new media industry. ———— 👉 Click above image for info.
SONY VENICE 2
VENICE 2 Full-frame digital cinema camera with internal X-OCN recording and choice of 8K and 6K sensors
⭐ BSC EXPO FEBRUARY 13-15, 2025 @ BATTERSEA EVOLUTION, LONDON
⭐️ CINEMATOGRAPHY WORLD ⭐️ THE ART AND CRAFT BEHIND THE CAMERA
DP LOL CRAWLEY BSC WINS BAFTA AWARD FOR THE BRUTALIST — British DP Lol Crawley added the 2025 BAFTA Award for Best Cinematography to his trophy cabinet, for his work on Brady Corbet’s THE BRUTALIST. — The accolade comes a week after Crawley won the BSC Award for Best Cinematography In A Theatrical Feature for the movie. 🎬 Crawley shot THE BRUTALIST in Hungary on KODAK 35mm film, chiefly using the 8-perf VistaVision format for dramatic impact.
MY EXPERIENCES ON WOODY ALLEN'S "CAFE SOCIETY" BY VITTORIO STORARO ASC, AIC.
ARRI LIGHTING HANDBOOK
💡 The ARRI Lighting Handbook is designed to help you create the best possible images with your new ARRI Lighting Kit, whether you are using it on location or for studio productions. Click image. 🔆
FYC: MARIA - 97TH ACADEMY AWARDS, OUTSTANDING ACHIEVEMENT IN CINEMATOGRAPHY
🎥 Cinematography by Ed Lachman, ASC. Shot on 35mm, 16mm, and Super 8. Color & B/W. Click image to see an interview with Cinematographer Ed Lachman, ASC.
⭐IBC AMSTERDAM. 12-15 SEPTEMBER, 2025⭐
SONY VENICE 2 SPECIAL REPORT
CLICK IMAGE TO DOWNLOAD SPECIAL REPORT PDF.
FIND YOUR PERFECT STORY
PREMIUM FOOTAGE STORIES IN REDCODE RAW 4K+ FILES
WANT TO MAKE SIX FIGURES? TRY BEING A DRONE PILOT
Despite what some call an oversaturated market, these freelance drone pilots say they’re making more than $100,000 a year. - Click the image above to read the article. - By Sally French, Social Media Editor & Drone Reporter of Market Watch.
⭐️DONATE TO MEDECINS SANS FRONTIERES. HELP TO SAVE LIVES.
🎬CHOOSE FILM ⭐ SHOOT ON FILM
🎥 35MM & 16MM Format Choices for Your Next Independent Feature Film, Documentary or TV Spot Production.—— Choose the Most Desirable Format in Motion Picture Image Acquisition.
THE NEW ARRI SKYPANEL X.
SkyPanel X—the new all-weather LED luminaire and latest addition to the SkyPanel family. Introduced as a modular system and configurable into different sizes, SkyPanel X now offers native soft, native hard, and open-face lighting.
This state-of-the-art LED light sets new standards in terms of dimming, color rendition, output, and beam quality, making it the perfect lighting solution.
ROTOLIGHT NEO 3 & AEOS 2. A BI-COLOR LED AND HSS FLASH
Introducing the new Rotolight AEOS — a powerful, ultra-portable, all in one bi-colour LED light and HSS flash, that brings tremendous versatility to any shoot. Designed for portrait and location photographers and videographers on the move, AEOS is lightweight and portable thanks to its ‘ultra-thin’ design concept. Now includes integrated Elinchrom Skyport HSS flash receiver.
AMERICAN SOCIETY OF CINEMATOGRAPHERS
The American Society of Cinematographers is a non-profit association dedicated to advancing the art of filmmaking. Since its charter in 1919, the ASC has been committed to educating aspiring filmmakers and others about the art and craft of cinematography; it accomplishes this by publishing the internationally renowned magazine American Cinematographer and the venerable American Cinematographer Manual, through seminars at schools and industry events, and via one-on-one mentoring. ASC members volunteer their time for such activities.
⭐️ A MUST SEE. CONCLAVE WINS BEST PICTURE AT BAFTA. SEDE VACANTE ⭐️
Edward Berger’s Vatican drama CONCLAVE was one of the big winners at the BAFTA Film Awards with four wins including Best Film, the British Film Academy’s top prize. The film also took wins in Outstanding British Film and Adapted Screenplay.
SOCIETY OF CAMERA OPERATORS
The principal purpose of the SOC is to recognize and nurture excellence in the field of camera operation and, secondarily, in the allied camera crafts, and to encourage development of both technology and production methods which will help our members achieve that excellence
⭐️🎥- A COMPLETE UNKNOWN & YELLOWSTONE CAMERA OPERATORS TAKE TOP HONORS AT SOC AWARDS 2025
🎥 — The Society of Camera Operators revealed the recipients of Camera Operator of the Year in Film and Television during the 2025 SOC Lifetime Achievement Awards at the Loews Hollywood Hotel. ⭐️— P. Scott Sakamoto took Camera Operator of the Year in Film for A Complete Unknown. ⭐️ —Camera Operator of the Year in Television recipients were Scott Dropkin for the Yellowstone episode “Life is a Promise” with Abby Linne as “B” Camera Operator and Jed Seus as “C” Camera Operator. — 🎬
CANADIAN SOCIETY OF CINEMATOGRAPHERS
FOSTERING CINEMATOGRAPHY IN CANADA SINCE 1957
🎥 INTERNATIONAL CINEMATOGRAPHERS GUILD 🎥
⭐️ The International Cinematographers Guild Local 600, represents the most talented camera professionals in the world. The technicians and artisans in our union are the creators of the visual images on the big screen, the television screen. ⭐️ International Cinematographers Guild members are, Directors of Photography, Camera Operators & Assistants, Computer Graphics Specialists, Visual Effects Supervisors, Still Photographers and more.
BRITISH SOCIETY OF CINEMATOGRAPHY
IMAGO EUROPEAN FEDERATION OF CINEMATOGRAPHERS
⭐IMAGO is the European Federation of Cinematographers, a collaborative global umbrella for the world´s Cinematographers Societies.⭐ 📌AFC MICRO SALON April,13-14 2022, Paris, France @afcinema.com
SHOOT ONLINE
SHOOTONLINE provides a full range of creative and production news about the ever-changing landscape of advertising and TV spot production making.
KODAK CINEMATOGRAPHER'S FIELD GUIDE (pdf) ⭐ SHOOT FILM⭐
🎥 This pocket-sized publication provides up-to-date and easy-to- use information about all KODAK Motion Picture Camera Films and several related subjects. —— KODAK designed the book to help you choose and order the right films for your needs and to help you use the films most effectively. —— The guide is divided into five major sections for easy reference: —* Motion Picture Camera Films —* Filter Information —* Tips and Techniques —* Formats & Packaging —* & Ordering Raw Stock.
CINEMATOGRAPHY NEWS!!
What is ACES? The Academy Color Encoding System (ACES) is becoming the industry standard for managing color throughout the life cycle of a motion picture or television production. From image capture through editing, VFX, mastering, public presentation, archiving and future remastering, ACES insures a consistent color experience that preserves the filmmaker’s creative vision.
Sekonic celebrated its 70th anniversary by releasing the L-398A Studio Deluxe III 70th Anniversary. 👉 Click image above for information about the L-398A Studio Deluxe III 70th Anniversary Edition. —— Based on the original 1956 version of the "Studio Deluxe" meter, this anniversary edition of 700 is available in a burgundy and rose gold.
⭐AMERICAN CINEMATOGRAPHER MANUAL, 11TH EDITION
AC MANUAL, 11th EDITION
The revised 11th edition of this essential technical reference is now exclusively available for pre-order from the American Society of Cinematographers.
Containing entirely new chapters and substantial rewrites of entries from the previous edition, this hardback book designed for on-set use is a must-have for cinematographers and other motion-imaging professionals.
Topics covered in this new edition of our “Filmmaker’s Bible” include:
Evaluating digital cameras
Take ownership of your sensor
Measuring light
The color science behind modern lighting instruments
Virtual production/emissive screens
Digital versions of day-for-night and infrared cinematography
Imax/large-format cinematography
Specialty lenses
Variable frame rates
ASC Color-Decision List (ASC CDL)
Academy Color Encoding System (ACES)
$119.95. Click image above to order your copy at the ASC Store.
⭐CINE LENS MANUAL⭐ NEW!
CINE LENS MANUAL.- Co-authored by Jay Holben and Christopher Probst, ASC. ---The Cine Lens Manual is a journey through the world of cinema lenses investigating every possible aspect, from the formation of glass to today's top cinematographic optical tools.--- Since the proliferation of digital-cinema cameras, the demand for vintage and contemporary lenses has increased exponentially.--- 👉 $175. Order the book at the ASC store by clicking the picture above.🎬
Wratten-Conversion Filters for Color Films
These filters are intended for use whenever significant changes in the color temperature of the illumination are required (for example, daylight to artificial light). The filter may be positioned between the light source and other elements of the system or over the camera lens. *These values are approximate. Check critical work accurately, especially ifyou use more than one filter.
WRATTEN FILTER Filter Exposure Increase Conversion Color Number In Stops in Degrees K 80A 2 3200 to 5500 Blue 80B 1 2/3 3400 to 5500 80C 1 3800 to 5500 80D 1/3 4200 to 5500 85C 1/3 5500 to 3800 85 2/3 5500 to 3400 85N3 1 2/3 5500 to 3400 Amber 85N6 2 2/3 5500 to 3400 85N9 3 2/3 5500 to 3400 85B 2/3 5500 to 3200 85BN3 1 2/3 5500 to 3200 85BN6 2 2/3 5500 to 3200
🎬CINEC 2025 at Kleine Olympiahalle München. FINAL DATE TBA ⭐️
Kleine Olympiahalle München
ROSCO FILTERS & DIFFUSIONS. MYCOLOR APP.
The MYCOLOR app provides easy access to Rosco’s color filters. Use the app to search, filter, sort, compare, and favorite all of Rosco’s color filters on your mobile device.
The app features all Rosco filter ranges:
● Roscolux
● Supergel
● e-colour+
● GamColor
● Cinegel
● OPTI-FLECS
● Roscolene
The free app also features a palette builder for users to create a collection of color filters for their projects or productions. MYCOLOR is available for iOS and Android devices. Download by clicking image.
⭐ LENS OF THE WEEK ⭐ COOKE 85-215 MM VAROTAL/I FULL FRAME ZOOM LENS
Cooke 85-215mm Varotal/i Full Frame Zoom Lens - It covers up to Full Frame Sensor Size - 9 Blade Iris, T2.9 to T22 Aperture -PL Mount with /i Technology. Color-Matched to S7/i Prime Range - 114mm Front Diameter, 4' Close Focus - Focus Marks in Feet. 0.8 MOD Cine Gears, M112.5 Filter Thread. --- Click image for more information..
🎬The International Film Festival of the Art of Cinematography. CAMERIMAGE is the greatest and most recognized festival dedicated to the art of cinematography and its creators - cinematographers.🎥
The Sony VENICE2 camera simulator is live with now the full menu operation! This interactive tool helps you getting familiar with the VENICE 2 while prepping for your next film and is available in two different versions in order to support the 6K and the 8K version. --- Try it here by clicking image above.
⭐ PRODUCTION EQUIPMENT OF THE WEEK ⚡ THRUVIEW STARGATE STUDIOS ⭐
THRUVIEW STARGATE STUDIOS --- Stargate offers COMPOSITING, 3D, MATTE PAINTING and EDITORIAL SERVICES as well as a REAL-TIME VFX system called THRUVIEW™ that enables Producers, Directors, DPs and Supervisors an easy-to-use tool to produce Photoreal, In Camera VFX while on set. Stargate offers also Real Time Unreal Engine Virtual Production.
DARIUS KHONDJI'S MASTERCLASS AT 75TH CANNES FILM FESTIVAL
⭐Darius Khondji's AFC, ASC Cinematography Masterclass in conversation with John Mintzer held at the 75th Cannes Film Festival, sponsored by Angênieux Lenses.⭐ --- Click image above for video link..