NAB Show 2014. As camera makers make strides to 4K imaging, lens makers are challenged to provide high resolution prime and zoom lenses to deliver high-quality images to the camera sensor.

ARRI will showcase a range of seven high-performance prime lenses from the ARRI/Zeiss Master Anamorphic series. The Master Anamorphic series are the 50 mm T1.9, MA 35 mm, T1.9, 75 mm T1.9,100 mm T1.9, the 40 mm T1.9 and 60 mm T1.9. The 135 mm T1.9 will be showcased  in NAB 2014.  Small in size, very lightweight, fast and with minimal distortion, the lenses represent a significant step forward in the technology and practicality of anamorphic cinematography for 35 mm format digital and film cameras. They are designed to provide beautiful out-of-focus backgrounds and a smooth, cinematic look, while be as easy to use on set as other modern cine lenses.

CANON is introducing it first 35mm zoom lens with servo handgrip for documentary, handheld or ENG.Canon’s Cine-Servo 17-120 mm T2.9-3.9 zoom seems impossibly small for a lens that can deliver superb image quality with so much range.The servo focus/iris/zoom handgrip detaches with 3 screws. When re-installed, there’s no need for manual re-alignment.

THALES ANGENIEUX will showcase its Optimo DP Series 25-250 mm 10X zoom lens, designed to provide the perfect combination of zoom ratio, aperture and price.The proliferation of 4K digital screens and the advent of Ultra definition television are escalating the demands for high quality motion picture content.

 FUJINON is presenting in NABShow a new 25-300 mm joins the growing Cabrio series PL zoom lens family. Its range extends beyond the familiar 10:1 ratio — offering a 12:1 zoom in a comfortable size and weight. It is intended to be used as an all-around zoom lens for exteriors, locations, action, aerials, sports, cars, running shots, as well as interiors. With a size and weight comparable to the Fujinon Premier 24-180, the new Fujinon Cabrio 25-300 provides a longer range of focal lengths. A detachable digital servo drive unit with Focus, Iris and Zoom motors will be an option mid-year. The lens has rear flange focal depth adjustment. Macro (close-up) capability is available standard on the lens.

SCHNEIDER OPTICS announces a new family of prime lenses specially designed and built for digital cinematography with full-frame sensor HDSLR and other professional cameras. Built in Germany by Schneider-Kreuznach, the new Schneider-Kreuznach Xenon FF-Prime Lenses are the latest addition to the company’s line of high-end optics. The first focal lengths being introduced in the Xenon FF-Prime series are 25mm T2.1, 35mm T2.1, 50mm T2.1, 75mm T2.1, and 100mm T2.1. They are available in changeable Nikon F, Canon EOS or PL mounts.

 COOKE will premier its Anamorphic/i Prime lenses with seven focal lengths featuring an oval bokeh, and designed for film and digital cameras. They feature aberration correction over the entire image area. The company will also showcase its Metrology lens test projector.

 CW SONDEROPTIC will present its Leica Summicron-C Cine lenses with 10 focal lengths between 18 and 135 mm. These are among the smallest and lightest premium prime lenses available. The lenses feature custom coatings to closely match the color and natural skin tones of the Leica Summilux-C lenses while exhibiting excellent flare suppression with very low chromatic aberration and distortion.

 CHROSZIEL will unveil their Aladin MKII 4K live broadcast wireless lens control system which was successfully used at both the French Open and the soccer Champions League in 2013 and is optimized for “Cine-Style” lenses and broadcast cameras. Also new is the Chrosziel Magnum wireless system which is available in three models: single-axis focus only, an upgradeable system for two-axis, and a complete focus/iris system.

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