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Canon released its new professional EOS R Mirrorless Full Frame Camera System with a 20mm flange distance and 54mm mount, along with four new RF mount lenses, the RF 28-70mm f/2L USM, RF 50mm f/1.2L USM, RF 35mm f/1.8 Macro IS STM, and RF 24-105mm f/4L IS USM and three separate mount adapters are being made available, with one standard EF-to-RF Adapter, an EF-to-RF Adapter with Control Ring, and an EF-to-RF Adapter with Drop-In Filter System.
The EOS R packs a 30.3MP CMOS sensor with Dual Pixel CMOS AF technology and the latest DIGIC 8 image processor making possible to work with native sensitivities to ISO 40000, which can be expanded to ISO 102400. The AF system is, perhaps, the shining achievement of Canon’s camera, because it has an insane 5,655 focus points with 100% vertical and 88% horizontal coverage of the image area and includes functions such as Eye Detection AF. It can even support f/8 and f/11 lenses in all AF areas.
At the rear of the camera, you will find a 0.5" 3.69m-dot OLED EVF for eye-level viewing. The comfortable 23mm eye point is designed to allow space between your face and the camera body. The other rear display is a 3.15" 2.1m-dot vari-angle touchscreen LCD that provides all the benefits you would expect in a Canon body, including touch-and-drag AF. Completely new is the multi-function bar, which can be customized for fast, intuitive access to many commonly used features. The top panel has a dot-matrix LCD for checking current settings and camera status.
The EOS R comes with UHD 4K video at up to 30 fps, including the ability to record in Canon Log for wide dynamic range capture of up to 12 stops. Boosting quality, videographers can output 10-bit 4:2:2 to an external recorder over HDMI using Canon Log or even the BT.2020 color space for wide color applications. Full HD shooting will be possible at up to 60p while standard HD has slow-motion, 120p recording. Focus Peaking and the Dual Pixel Focus Guide will help keep everything in focus.
Canon EOS R Mirrorless Digital Camera with 24-105mm Lens $3,399.00 BHphotovideo.com Canon EOS R Mirrorless Digital Camera (Body Only) $2,299.00 BHphotovideo.com
SPECS:
Lens Mount Canon RF
Camera Format Full-Frame
Pixels Actual: 31.7 Megapixel
Effective: 30.3 Megapixel
Max Resolution 6720 x 4480
Aspect Ratio 1:1, 3:2, 4:3, 16:9
Sensor Type / Size CMOS, 36 x 24 mm
File Formats Still Images: JPEG, RAW
Movies: MP4, MPEG-4 AVC/H.264
Audio: AAC, Linear PCM (Stereo)
Bit Depth 14-Bit
Dust Reduction System Yes
Memory Card Type SD
SDHC
SDXC
Image Stabilization Digital, 5-Way
AV Recording
Video Recording Yes, NTSC/PAL
Video Format 3840 x 2160p at 23.98/24/29.97 fps
1920 x 1080p at 23.98/24/29.97/59.94 fps
1280 x 720p at 29.97/59.94/120 fps
Aspect Ratio 16:9
Video Clip Length Up to 29 Min 59 Sec
Audio Recording Built-In Mic: With Video (Stereo)
Optional External Mic: With Video (Stereo)
Focus Control
Focus Type Auto & Manual Focus
Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
Autofocus Points Hybrid: 5655
Viewfinder/Display
Viewfinder Type Electronic
Viewfinder Size 0.5"
Viewfinder Pixel Count 3,690,000
Viewfinder Eye Point 23.00 mm
Viewfinder Coverage 100%
Viewfinder Magnification Approx. 0.71x
Diopter Adjustment -4 to +2 m
Display Screen 3.15" Rear Touchscreen Swivel LCD (2,100,000)
Screen Coverage 100%
Exposure Control
ISO Sensitivity Auto, 100-40000 (Extended Mode: 50-102400)
Shutter Type: Electronic & Mechanical
Speed: 30 - 1/8000 Second , Bulb Mode
Metering Method Center-Weighted Average Metering, Evaluative Metering, Partial Metering
Exposure Modes Modes: Aperture Priority, Bulb, Custom, Intelligent Auto, Manual, Programmed Auto, Shutter Priority
Metering Range: EV -3.0 - EV 20.0
Compensation: -3 EV to +3 EV (in 1/3 or 1/2 EV Steps)
White Balance Modes: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent
(White), Shade, Tungsten
Buffer/Continuous Shooting Up to 8 fps at 30.3 MP for up to 47 Frames in Raw Format
Up to 8 fps at 30.3 MP for up to 100 Frames in JPEG Format
Up to 3 fps at 30.3 MP for up to 47 Frames in Raw Format
Up to 3 fps at 30.3 MP for up to 100 Frames in JPEG Format
Up to 2.2 fps at 30.3 MP for up to 47 Frames in Raw Format
Up to 2.2 fps at 30.3 MP for up to 100 Frames in JPEG Format
Flash
Flash Modes Flash On
Slow Sync
Built-in Flash No
Max Sync Speed Not Specified by Manufacturer
Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
Dedicated Flash System eTTL
External Flash Connection Hot Shoe
Performance
Start-up Time 0.9 seconds
Shutter Lag 0.05 seconds
Self Timer 10 Seconds, 2 Seconds
Connectivity 1/8" Microphone, HDMI C (Mini), USB Type-C
Wi-Fi Capable Yes
Power
Battery 1 x LP-E6N Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 1865 mAh
AC Power Adapter Not Specified by Manufacturer
Operating/Storage Temperature Operating
32 to 104°F (0 to 40°C)
Humidity: 0 - 85%
Physical
Dimensions (W x H x D) 5.3 x 3.9 x 3.3" / 135.8 x 98.3 x 84.4 mm
Weight 1.45 lb / 660 g with battery and memory card
Introducing flowtech™. The world’s fastest tripod legs.
Performance tested in extreme conditions, the unique flowtech™75 is easier and faster to deploy and adjust than any other tripod, giving the camera operator ultimate versatility and improving their workflow. 2-stage 75 mm carbon fiber tripod with unique quick release brakes for instant and easy deployment, ergonomic carbon fiber design with strong magnetic legs locks for comfortable transport, exceptional torsional stiffness and a versatile hinge lock mechanism for low and high shots.
flowtech™75 is a 2-stage 75 mm carbon fiber tripod with unique quick release brakes for instant and easy deployment, ergonomic carbon fiber design with strong magnetic legs locks for comfortable transport, exceptional torsional stiffness and a versatile hinge lock mechanism for low and high shots.
The Sachtler System FSB 8 Touch & Go fluid head with flowtech™75 carbon fiber tripod legs offer a professional tripod system for videographers who use cameras weighing up to 10 kg / 22 pounds. The FSB 8 head provides friction-less leak-proof fluid drag with five levels of drag, for perfect pictures while panning, without jerks and vibrations. Identical across both horizontal and vertical planes, and allows complete disengagement of drag for fast panning. The system includes a mid-level spreader and bag. Height range in spreader less mode: 41 - 169 cm (16.1 - 66.5 in); height range with mid-level spreader: 78 - 173 cm (30.7 - 68.1 in).
SPECS
Supports cameras to up to 10 kg / 22 lb. Friction-less Leak Proof Fluid Drag. Sachtler's Touch & Go plate mechanism Dynamic Counterbalancing System. Operates without any frictions from -40° to +60°C / -40°F to +140°F. Unique quick release brakes. Deploy and adjust your tripod in an instant. New ergonomic carbon fiber leg design. Easy to transport and exceptional torsional stiffness.Versatile hinge lock mechanism. Capture extremely low and high shots. Extensive endurance and environmental testing. Superior performance and reliability.
FSB 8 T fluid head (0705) + tripod flowtech 75 MS with mid-level spreader and rubber feet + padded bag flowtech 75 (9116); FSB 8 T: SRP: $2,755.00
Sony THOUGH is the world's toughest and fastest SD memory card, with a monolithic construction with high hardness materials have resulted in the world's highest level of bend strength, 18 times greater than the SD standard (180 N). This design eliminates the risk of physical damage and protect the data recorded onto the card, ideal for busy professional photographers even under severe shooting locations. The monolithic construction with rock-solid materials provides shock resistance, withstanding drops test from a height of 5 meters.This design reduces the risk of damage from dropping when swapping the card out frequently at busy shooting locations. THOUGH is the world's first rib-less, with no write protection switch design SD card.
THOUGH is the world's fastest SD card. Get the most out of burst shooting. Sony developed high-speed capture technology to achieve the world's fastest write speed of up to 299MB/s. Along with the supporting UHS-II interface, this revolutionary write speed maximizes the burst-shooting capabilities of high-end DSLRs. The SF-G series supports the continuous shooting of 241 compressed RAW or 362 JPEG images when shooting by Sony α9, which has burst-shooting capability up to 20 frames per second. Dependable High-resolution 4K Video Recording, with the world's fastest write speed, up to 299MB/s, the SF-G series memory card can record high-quality 4K video. It supports V90, highest standard of video speed class, UHS speed class 3* and SD speed class 10 formats.
Highest level of water proofing (IP8X) and dust proofing (IP6X). Completely sealed with monolithic structure, this card is waterproof (compliant to IPX8) and recorded data is undamaged even if the card is submerged in 5 meters of water for up to 72 hours. Also, completely sealed with monolithic structure, the card is dust proof (compliant to IP6X) and keeps out all dust particles, and can be used in severe shooting environment. Even if the card is used in dusty or dirty areas or dropped in mud, it can be washed in fresh water and wiped off to be used again for perfect flexibility. In addition to the world's highest level of durability, this card offers has X-ray proof(ISO7816-1), Magnet-proof, Anti Static, temperature proof, UV Guard, and wide-ranging compatibility with major UHS-II supporting DSLR and mirrorless cameras.
Nikon Introduces Z Mount System, and Full-Frame Mirrorless Cameras: Nikon Z 7 and Nikon Z 6.
At the heart of the Z mount system is the new, larger-diameter mount, which unlocks further possibilities of lens design. The Z mount system will offer a variety of high-performance lenses, including the fastest lens in Nikon history, with f/0.951. Additionally, the new mount adapter will enable compatibility with NIKKOR F mount lenses, adding to the range of choices for photographers.
The Z 7 and Z 6 are equipped with a new backside illumination, Nikon FX-format CMOS sensor with focal-plane phase-detection AF pixels, and the latest image-processing engine, EXPEED 6. The Z 7 has 45.7 effective megapixels and supports ISO 64–25600 range of standard sensitivities (reduction to the equivalent of ISO 32 and expansion to the equivalent of ISO 102400 is also possible). The Z 6 has an effective pixel count of 24.5 megapixels, and supports a broad range of standard sensitivities, from ISO 100–51200 (additional reduction to the equivalent of ISO 50 and expansion to the equivalent of ISO 204800).
The Z 7 has 493 focus points2 and the Z 6 has 273 focus points2, enabling broad coverage of approximately 90% of the imaging area both horizontally and vertically. This hybrid AF system uses an algorithm optimized for the FX-format sensor, to automatically switches between focal-plane phase-detection AF and contrast-detect AF when focusing to achieve focus. Newly-designed NIKKOR Z lenses take full advantage of this system, providing faster, quieter and with increased AF accuracy than previously possible for both still images and videos.
The Z 7 and Z 6 are equipped with the new EXPEED 6 image-processing engine. Employing the superior resolving power of NIKKOR Z and NIKKOR F mount lenses, subjects are rendered more sharply than ever before. Noise is also effectively reduced. Additionally, a mid-range sharpening option has been added to Picture Control sharpness parameters. This option, along with existing sharpening and clarity parameters, allows users to make various textures within the screen sharper or softer, for both still images and video3. The cameras also offer 20 options of Creative Picture Control, supporting creative imaging expression. The effect level is adjustable from 0 to 100.
The Z 7 and Z 6 are equipped with the new EXPEED 6 image-processing engine. Employing the superior resolving power of NIKKOR Z and NIKKOR F mount lenses, subjects are rendered
more sharply than ever before. Noise is also effectively reduced. Additionally, a mid-range sharpening option has been added to Picture Control sharpness parameters. This option, along
with existing sharpening and clarity parameters, allows users to make various textures within the screen sharper or softer, for both still images and video3. The cameras also offer 20
options of Creative Picture Control, supporting creative imaging expression. The effect level is adjustable from 0 to 100.
The electronic viewfinder adopted for the Z 7 and Z 6 is comfortable and easy to use, comparable to optical viewfinders. Both cameras are equipped with an electronic viewfinder for which an approximately 3690k-dot OLED panel has been adopted. The electronic viewfinder has frame coverage and magnification of approximately 100% and 0.8×, respectively, as well as an approximately 37.0° diagonal viewing angle. It draws on Nikon's superior optical technologies and image-processing technologies, ensuring a clear and comfortable view, with reduced aberration and minimum eyestrain, even during extended shoots. Furthermore, a fluorine coat that effectively repels dirt has been applied to the eyepiece protection window. In addition, the menu can be displayed in the electronic viewfinder, allowing users to quickly view and adjust a variety of shooting settings, including ISO sensitivity, AF-area mode, and Picture Control, all while looking through the viewfinder.
The Z 7 and Z 6 support recording of not only full-frame 4K UHD (3840 × 2160)/30p movies using the FX-based video format, but also Full-HD/120p movies. Sharper 4K UHD movies are made possible, using the full-pixel readout4. Additionally, Active D-Lighting, electronic vibration reduction, and focus peaking can be used with 4K UHD and Full-HD movie recording.
Nikon’s original N-Log color profile can also be used with 10-bit5 HDMI output. The N-Log setting utilizes extensive color depth and twelve-stop, 1,300% dynamic range to record a wealth of tone information from highlights and shadows for more effective color grading. Timecode support makes synchronizing video and sound from multiple devices easier. Additionally, the control ring built into NIKKOR Z lenses can be used to quietly and smoothly adjust settings such as aperture and exposure compensation.
The Z 7 and Z 6 are built for video. Portable cinematic powerhouses. Bend time with ultra-smooth 1080p 120 FPS slow motion sequences. Preserve maximum detail, dynamic range, shadows and highlights for more control and creativity in post-processing with the new Nikon N-Log. Full-frame 4K Ultra HD. Cinematic 16:9 4K UHD/30p video with the sharpness and dynamic range of Nikon’s full-frame image sensors. Hybrid AF for video. Silky smooth, near-silent AF with automatic switching between phase-detect and contrast-detect AF. 10-bit HDMI Output. Record uncompressed footage with 64X more color data directly to an external capture device,compared to 8-bit. Requires optional HDMI Connecting Cable. 8K Time-lapse.
Other Features
Same level of strength and durability, as well as dust- and drip- resistance, as the Nikon D850, offered in a compact body.A 3.2-in., approximately 2100k-dot touch-sensitive LCD monitor, with a tilting mechanism. Silent photography function eliminates shake and noise caused by shutter release.
Peaking stack image function enables confirmation of the area in focus after shooting using focus shift, which is convenient for focus stacking. High-speed continuous shooting (extended) at approximately 9 fps (Z 7) and 12 fps (Z 6) captures fast motion. Interval timer photography that makes 8K (Z 7) time-lapse movie creation possible
An extended low-light metering range allows users to easily capture scenes such as the transition from sunset to starry night sky, using aperture-priority auto exposure. Built-in Wi-Fi® for direct connection to a smart device using SnapBridge Built-in Wi-Fi® makes the transfer of images and movies to a computer possible Support for existing digital SLR camera accessories such as the EN-EL15/a/b batteries, WT-7/A/B/C Wireless Transmitter (available separately) for transferring images and movies at high speed over a wired or wireless LAN, and radio-controlled/optical controlled Advanced Wireless Lighting, which makes flexible multi-flash photography possible.
The MB-N10 Multi-Power Battery Pack that is currently in development will hold two EN-EL15b, effectively increasing the number of shots possible and/or movie recording time by approximately 1.8×. It will provide the same level of dust and drip resistance as the Z 7 and Z 6, and will support USB charging using the EH-7P Charging AC Adapter. Information regarding the release of this product will be announced at a later date.
Price and Availability
The Nikon Z 7 will be available September 27 for a suggested retail price (SRP) of $3399.95 for the body-only configuration, or for $3999.95 SRP as a kit with the new NIKKOR Z 24-70 f/4 S lens.
The Nikon Z 6 will be available in late November for the $1995.95* SRP for the body only configuration, or for the $2,599.95 SRP with the NIKKOR Z 24-70mm f/4 S lens kit.
For more information on these and other Nikon products, please visit www.nikonusa.com
On the following video, Sony's Peter Crithary talks about what is new with the Sony Venice Version 2 Firmware, including variable frame rates, ProRes capabilities, simultaneous recording, false color,
user uploadable 3D LUTs, new imager modes, native E-Mount, Dual Base ISO 2500 mode, wired LAN control and more.
VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.9×18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9×14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film).
VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 anamorphic and spherical and full-frame 24mm-height anamorphic and spherical. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.
2018 Camera Comparison Chart. ARRI - Blackmagic Design - Canon - Kodak - Panasonic - RED - Sony. Compiled by Thomas Fletcher and Gary Adock with information gathered from numerous conversations with various cinematographers, rental houses, and manufacturers.
Please note portions of these chart are subjective. This is not scientifically tested and collected data. We have sincerely tried to assemble accurate information to share with the industry. Our goal is to help producers make an educated decision in a rapidly changing camera and optical landscape - that said - numbers do not tell the whole story - look at the images and consult your cinematographer. We encourage you to test for yourself!
Click Chart to View and for Printable PDF
Thank you to all that offered assistance and feedback in the collection of the data:
Geoff Boyle, Cinematographer
Scott Dale, VER
John Deboer, Sim
Megan Donnelly, AbelCine
Stosh Durbacz, Fujifilm
Phil Holland, Cinematographer
Michael Koerner, Koerner Camera
Jim Mathers, Cinematographer
Mike Sippel, Arri Rental
David Stump, ASC, Cinematographer
Marcelo Trotta, ABC Cinematographer
Bruno Vieira, Cinematographer
Adam Wilt, Technologist
ARRI
Susanne Mayer
Frederick Merten
Marc Shipman-Mueller
BLACKMAGIC DESIGN
Tor Johansen
Tim Schumann
CANON
Joe Bogacz
Alan Craig Lewis
Tim Smith
Larry Thorpe
RED
Brent Carter
Brian Henderson
Kenta Honjo
Alan Zarnegar
PANASONIC
Steve Cooperman
Mitch Gross
Stephen Mahrer
Barry Russo
Cinematographer Edward Lachman ASC, walk the red carpet of the Palais des Festivals at the 71st Festival de Cannes to receive the 2018 Pierre Angénieux ExcelLens in Cinematography, accompanied by film director and long time collaborator Todd Haynes. He was escorted also by Raphaël Keller, Director of Innovation Video and Technical industries at the CNC- Centre National du Cinéma et de l’Image Animée, Severine Serrano, Managing Director, Angénieux International Sales & Marketing, and Emmanuel Sprauel, Vice-President of Angénieux and Cinematographer Cecile Zhang.
Lachman was the cinematographer on four movies directed by Tod Haines, Far from Heaven, I’m not There, Carol and Wonderstruck.
A delegation of the new artistic generation posed in a photo call with cinematographer Ed Lachman. Among the actors were, American actor Michael Pitt, French actors Élodie Bouchez and actor Nahuel Pérez Biscayart, and French-Spanish actress Astrid Bergès-Frisbey.
Edward Lachman received an Angénieux Optimo 28-76 lens specially engraved to his name as a trophy, from Emmanuel Sprauel, Vice-President Angénieux brand who said: "As the President of the Angenieux brand, be sure all people in Angenieux share the passion to help you bring your vision to life. We all are truly dedicated to make the best products for your eyes and hands so that you can simply forget them because it simply suits you the best", said Sprauel.
Tod Haines and Ed Lachman viewing the video
tribute video prepared for the occasion
During his speech, Ed Lachman said: “For me the challenge of cinematography is revealing or trying to evoke the poetic or psychological authenticity of the image in the story you are telling...Images aren’t only around pleasant pictorial aesthetics but also can be the projection of the emotions for the characters in the story. Images are about experiencing something with your camera, it is the immediacy of that experience inside yourself that you are able to translate, and you can share in a documentary or narrative form.”
Angénieux also distinguished Chinese young cinematographer Cecile Zhang (right) who graduated with honors from the Beijing Film Academy – got the opportunity to use an Angénieux zoom lens of her choice on her next project. She received this Angénieux special encouragement from Severine Serrano’s (far right) Angénieux Managing Director and famous Chinese actor Xu Zheng.
The ceremony reached a particular emotional point with an impressive series of video testimonials from directors, actresses and actors who crossed Ed’s creative life (Christopher Doyle, Julianne Moore, Mark WIener, John Malkovich, Volker Schlondorff, Peter Sellars, Ulrich Seidl, Michelle Williams, Werner Herzog, Willem Dafoe, Sofia Coppola, Greta Gerwig, Steven Soderbergh, Meryl Streep, Wim Wenders) and a very nice attention from Daft Punk member and former creative collaborator Thomas Bangalter from Random Access Memories Album release time.
About the “Pierre Angénieux ExcelLens in Cinematography”
The Pierre Angénieux ExcelLens in Cinematography award ceremony pays tribute to a director of photography whose work has marked the history of world cinema. After Philippe Rousselot (2013), Vilmos Zsigmond (2014), Roger A. Deakins (2015), Peter Suschitzky (2016), Christopher Doyle (2017), Edward Lachman distinguished cinematographer is the 6th awarded.
ARRI launched at the BSC Expo in London a complete large-format system that meets and exceeds modern production requirements, delivering unprecedented creative freedom. Based on a large-format 4K version of the ALEXA sensor, the system comprises the ALEXA LF camera, ARRI Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories, and workflows.
Featuring a sensor slightly bigger than full frame, ALEXA LF records native 4K with ARRI’s best overall image quality. Filmmakers can explore a large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and proven suitability for HDR and WCG workflows. Versatile recording formats,including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150fps, provide total flexibility.
“The larger ALEXA LF sensor has the same optimal pixel size as other ALEXAs, resulting in a 4448 x 3096 image,” says Marc Shipman-Mueller, ARRI Product Manager for Camera Systems. “This doesn’t just add definition, it creates a whole new look—one that is truly immersive, with a three-dimensional feel. The various recording formats and sensor modes make this look available to all productions and satisfy any possible deliverable requirement.”
ARRI Signature Prime lenses
Accompanying the ALEXA LF camera are 16 large-format ARRI Signature Prime lenses, ranging from 12 mm to 280 mm and fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they render organic, emotionally engaging images, gently softening and texturizing the large format.
A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame. Thorsten Meywald, ARRI Product Manager for Optical Systems, comments: “The ARRI Signature Prime lenses are incredibly lightweight and robust, due to the magnesium lens barrels. They also feature LDS-2, ARRI’s next-generation Lens Data System.
What has impressed cinematographers most, however, is the look. Skin tones are rendered beautifully and kindly, while all the detail of landscapes can be captured. Our focus was on the emotional impact of images, creating unique and pleasing bokeh both in the foreground and background.”
New LPL lens mount
Optimized for large-format sensors, the new LPL lens mount has a wider diameter and shorter flange focal depth, allowing the ARRI Signature Primes and all future large-format lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of features that would not be possible with the PL lens mount. The LPL mount will also be available for other ARRI cameras and is being licensed to third-party lens and camera manufacturers.
Backwards compatible with lenses, accessories, and workflows Although the camera, lens mount, and lenses are new, full compatibility with existing PL mount lenses and ALEXA accessories is a cornerstone of the system's design. A PL-to-LPL adapter offers backwards compatibility with all PL mount lenses, whether Super 35 or full frame. The adapter attaches securely to the LPL lens mount without tools, allowing crews to rapidly switch between PL and LPL lenses on set, and offering cinematographers an unlimited lens choice.
“As always, we want to make sure that our customers get the best possible return on their investments in ARRI equipment,” says Stephan Schenk, Managing Director of ARRI Cine Technik and responsible for the business unit Camera Systems. “Providing compatibility with existing lenses, camera accessories, workflows, ARRI Look Files, lens metadata, and software tools makes it easier for crews to work with ALEXA LF on set and for rental houses to incorporate it into their inventories.
We think the system sets a new standard for the future, but it also minimizes redundancies and leaves no one behind.” The first ALEXA LF cameras will be shipped at the end of March 2018. The initial set of four Signature Prime lenses (35 mm, 47 mm, 75 mm, and 125 mm) will be shipped in early June 2018. The remaining lenses will be available over the course of the year.
For more information, please visit: www.arri.com/largeformat For a complete technical report, see sidebar. FDT ARRI LF standalone report.
Panavision introduced the new Millennium DXL2 8K camera at BSC Expo 2018, running Feb. 2-3 at Battersea Evolution (Stand 502). The large-format camera is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives, seamlessly incorporating Panavision’s unmatched optics and camera architecture, the RED MONSTRO 8K VV sensor, and Light Iron color2 science (LiColor2). The DXL2 builds on the success of the Millennium DXL and benefits from Panavision’s unique and storied partnership with cinematographers, whose real-world experience and input are manifested in the DXL2’s many significant advances.
“The Millennium DXL2 8K camera system was conceived with the goal of maximum creative control from the moment of capture through delivery and display,” says Michael Cioni, senior VP of Innovation at Panavision and Light Iron. “Panavision’s vast inventory of advanced large-format and anamorphic optics combined with RED’s MONSTRO imager expands what’s possible, allowing filmmakers to create radically inventive and powerfully cinematic images, customized for the needs of the project and the vision of creative teams.”
As a camera and lens manufacturer that also serves filmmakers as a trusted rental house, Panavision is uniquely positioned to respond to the needs of the community. Since its introduction, the DXL has been used on over 20 feature films, and countless television shows, commercials and music videos. Oscar® nominee John Schwartzman, ASC photographed two features on the DXL and is among those who have tested the DXL2, providing input that has guided the design.
Schwartzman says, “When you take an 8K image and super-sample it, it only gets better. It’s absolutely beautiful to look at. For me, the Millennium DXL2 is a no-brainer. It’s something I would use on anything. It does it all. And in fact, I’m currently planning to shoot my next feature with it.”
The RED MONSTRO 8K VV sensor in the DXL2 offers a healthy 16-plus stops of dynamic range with improvements in image quality and shadow detail, a native ISO setting of 1600, and ProRes 4K up to 60 fps. Images are presented on the camera in log format using Light Iron color science.
An integrated PX-Pro color spectrum filter custom-made for the DXL offers a significant increase in color separation and dramatically higher color precision to the image. Built-in Preston MDR, 24v power and expanded direct-to-edit features are also standard equipment on the DXL2. An anamorphic flare attachment (AFA) offers a convenient, controllable method of introducing flare with spherical lenses.
New to the DXL2, LiColor2 streamlines the 8K pipeline, smoothly handling the workflow and offering convenient and quick access to high-quality RAW images, accommodating direct to edit without delays.
“We are proud to provide an ecosystem of tools that gives filmmakers more choices to express their vision,” adds Panavision CEO and President Kim Snyder. “We have been listening to feedback from cinematographers and the results of our collaboration are directly manifested in the DXL2. We remain committed to continuous technological development and are excited to bring this new camera to market.”
The Millennium DXL2 will be presented at the Panavision booth (Stand 502) alongside a showcase of the company’s large-format and anamorphic optics, as well as the latest products and solutions from Panalux, Light Iron and Panavision Grip and Remote Systems.
Also at BSC Expo, Panavision presents “The Beauty of Large Format 8K” at 14:00 on Feb. 2 in the seminar room. The session will offer a preliminary introduction to the DXL2 while taking a deep dive into the relationship between resolution and large-format optics. Cioni will guide the discussion and present clips that demonstrate the benefits of 8K capture and how ultra-high resolution equates to creative control with smoother imagery.
DXL2 cameras are available now to rent exclusively from Panavision on a worldwide basis.
SmallHD introduces the 502 Bright daylight viewable on-camera 5-inch monitor. The 1,000nit display incorporates the extensive feature set of the 500 Series monitors, while raising the bar on view-ability in direct sunlight.
The 502 Bright displays 100% of Rec. 709 color gamut. The 1920x1080 resolution LCD screen provides full high-definition viewing. It utilizes SmallHD’s latest software, version OS3, which provides false color and waveform tools. The unit also features is a new battery meter and the ability to adjust color computer-free with the SmallHD Color Probe.
For those who prefer to use waveform to compose an image, OS3 features spot metering to an already extremely customizable waveform. The spot meter indicates the exposure level of a particular area of an image without the psychedelic appearance false color can create. It is particularly useful for exposing faces.
Consistent with other SmallHD monitors, the unit is extremely rugged thanks to a milled aluminum frame and a Gorilla Glass protective screen. The 502 Bright has both HDMI and SDI inputs and outputs, with lightning fast cross conversion between the two video formats.
The new 502 Bright weighs just 9.4oz (267.5g), and is 6.4"W x 3.4"H x 1.1"D (16.2 x 8.6 x 2.8 cm). Deliveries begin in February 2018 with an MSRP of $1299.
The 502 Bright is available from SmallHD authorized dealers or SmallHD’s website.
The American Society of Cinematographers announced the nominees in all five competitive categories for the 32nd annual ASC Awards for Outstanding Cinematography.
THEATRICAL RELEASE
Roger Deakins, ASC, BSC for Blade Runner 2049
Bruno Delbonnel, ASC, AFC for Darkest Hour
Hoyte van Hoytema, ASC, FSF, NSC for Dunkirk
Rachel Morrison, ASC for Mudbound
Dan Laustsen, ASC, DFF for The Shape of Water
SPOLIGHT AWARD
Máté Herbai, HSC for On Body and Soul
Mikhail Krichman, RGC for Loveless
Mart Taniel for November
EPISODE OF A SERIES FOR NON-COMMERCIAL TELEVISION
Gonzalo Amat for The Man in the High Castle (“Land O’ Smiles”) on Amazon
Adriano Goldman, ASC, ABC for The Crown (“Smoke and Mirrors”) on Netflix
Robert McLachlan, ASC, CSC for Game of Thrones (“The Spoils of War”) on HBO
Gregory Middleton, ASC, CSC for Game of Thrones (“Dragonstone”) on HBO
Alasdair Walker for Outlander (“The Battle Joined”) on Starz
EPISODE OF A SERIES FOR COMMERCIAL TELEVISION
Dana Gonzales, ASC, ABC for Legion (“Chapter 1”) on FX
David Greene, ASC, CSC for 12 Monkeys (“Mother”) on Syfy
Kurt Jones for The Originals (“Bag of Cobras”) on The CW
Boris Mojsovski, CSC for 12 Monkeys (“Thief”) on Syfy
Crescenzo Notarile, ASC for Gotham (“The Executioner”) on Fox
MOTION PICTURE, MINISERIES, OR PILOT MADE FOR TELEVISION
Pepe Avila del Pino for The Deuce pilot on HBO
Serge Desrosiers, CSC for Sometimes the Good Kill on Lifetime
Mathias Herndl, AAC for Genius (“Chapter 1”) on National Geographic
Shelly Johnson, ASC for Training Day pilot (“Apocalypse Now”) on CBS
Christopher Probst, ASC for Mindhunter pilot on Netflix
Four cinematographers selected as this year’s ASC Awards honorees were announced in October Russell Carpenter, ASC (Lifetime Achievement Award), Russell Boyd, ASC, ACS (International Award), Alan Caso, ASC (Career Achievement in Television Award) and Stephen Lighthill, ASC (Presidents Award).
2017 ASC Board of Governors Award recipient Denzel Washington
The winners will be revealed at the organization’s February 17 ceremony, which will be emceed this year by Ben Mankiewicz, a longtime host on Turner Classic Movies (TCM). The event will be held at the Ray Dolby Ballroom at Hollywood & Highland.
The British Academy of Film and Television Arts (BAFTA) announced this morning, their 2017 Nominations in all categories, all awards are presented Sunday 18, February 2018.
CINEMATOGRAPHY
BLADE RUNNER 2049, Roger Deakins
DARKEST HOUR, Bruno Delbonnel
DUNKIRK, Hoyte van Hoytema
THE SHAPE OF WATER , Dan Laustsen
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, Ben Davis
DIRECTOR
BLADE RUNNER 2049, Denis Villeneuve
CALL ME BY YOUR NAME, Luca Guadagnino
DUNKIRK, Christopher Nolan
THE SHAPE OF WATER, Guillermo del Toro
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, Martin McDonagh
BEST FILM
CALL ME BY YOUR NAME, Emilie Georges, Luca Guadagnino, Marco Morabito, Peter Spears
DARKEST HOUR, Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, Douglas Urbanski
DUNKIRK, Christopher Nolan, Emma Thomas
THE SHAPE OF WATER, Guillermo del Toro, J. Miles Dale
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, Graham Broadbent, Pete Czernin, Martin McDonagh
The nominations were announced this morning, January 9th by Natalie Dormer and Letitia Wright at BAFTA’s London headquarters, 195 Piccadilly.
The EE British Academy Film Awards take place on Sunday 18 February
at the Royal Albert Hall, London. The ceremony will be hosted by Joanna
Lumley and will be broadcast exclusively on BBC One and BBC One HD. The
ceremony is also broadcast in all major territories around the world.
*Nominations are correct at the time of going to print. BAFTA reserves the right to make changes to the names listed at any time up until 18 February 2018.
WELCOME TO THE WEBCAST DEDICATED TO THE CRAFT OF CINEMATOGRAPHY & MOTION PICTURE CAMERA OPERATION
AMERICAN SOCIETY OF CINEMATOGRAPHERS OUTSTANDING ACHIEVEMENT AWARDS 2023 🎥
The American Society of Cinematographers (ASC) presented the 37th Annual ASC Outstanding Achievement Awards in feature film, documentary and television categories. The ceremony was held at The Beverly Hilton in Beverly Hills, California.
Below is a complete list of this year’s nominees and winners by category
THEATRICAL FEATURE FILM NOMINEES (Category sponsored by Keslow Camera)
Roger Deakins, ASC, BSC for Empire of Light (Searchlight Pictures)
Greig Fraser, ASC, ACS for The Batman (Warner Bros.)
Darius Khondji, ASC, AFC for Bardo, False Chronicle of a Handful of Truths (Netflix)
Claudio Miranda, ASC for Top Gun: Maverick (Paramount Pictures)
⭐Mandy Walker, ASC, ACS for Elvis (Warner Bros.)
Last year’s ASC feature film winner was Greig Fraser for Dune. He went on to win the Oscar® for Best Achievement in Cinematography.
⭐BOARD OF GOVERNORS AWARD was presented to Viola Davis by Gina Prince-Bythewood
SPOTLIGHT AWARD (Category sponsored by Panavision)
⭐Sturla Brandth Grøvlen, DFF for War Sailor (DCM Film)
Kate McCullough, ISC for The Quiet Girl (Super)
Andrew Wheeler for God’s Country (IFC Films)
EPISODE OF A ONE-HOUR NON-COMMERCIAL TELEVISION SERIES (Category sponsored by Panavision)
John Conroy, ASC, ISC for Westworld – “Années Folles” (HBO/HBO MAX)
Catherine Goldschmidt for House of the Dragon – “The Lord of the Tides” (HBO/HBO MAX)
Alejandro Martinez for House of the Dragon – “The Green Council” (HBO/HBO MAX)
⭐M. David Mullen, ASC for The Marvelous Mrs. Maisel – “How Do You Get to Carnegie Hall?” (Prime Video)
Alex Nepomniaschy, ASC for The Marvelous Mrs. Maisel – “Everything is Bellmore” (Prime Video)
Nikolaus Summerer for 1899 – “The Calling” (Netflix)
PILOT, LIMITED SERIES, OR MOTION PICTURE MADE FOR TELEVISION (Category sponsored by ARRI)
Todd Banhazl, ASC for Winning Time: The Rise of the Lakers Dynasty – “The Swan” (HBO/HBO Max)
Jeremy Benning, CSC for Guillermo del Toro's Cabinet of Curiosities – “The Outside” (Netflix)
Anastas Michos, ASC, GSC for Guillermo del Toro's Cabinet of Curiosities – “The Autopsy” (Netflix)
C. Kim Miles, ASC, CSC, MySC for Lost Ollie – “Bali Hai” (Netflix)
⭐Sean Porter for The Old Man – “I” (FX)
EPISODE OF A HALF-HOUR SERIES (Category sponsored by Picture Shop)
Adam Bricker for Hacks – “The Click” (HBO/HBO MAX)
⭐Carl Herse for Barry – “Starting Now” (HBO/HBO MAX)
Stephen Murphy BSC, ISC for Atlanta – “New Jazz” (FX)
Ula Pontikos, BSC for Russian Doll – “Matryoshka” (Netflix)
Christian Sprenger, ASC for Atlanta – “Andrew Wyeth. Alfred's World.” (FX)
EPISODE OF A ONE-HOUR COMMERCIAL TELEVISION SERIES (Category sponsored by William F. White)
Jesse M. Feldman for Interview With the Vampire – “Is My Very Nature That of the Devil” (AMC)
Christian “Tico” Herrera, CCR for Snowfall – “Departures” (FX)
⭐Jules O'Loughlin, ASC, ACS for The Old Man – “IV” (FX)
Jaime Reynoso, AMC for Snowpiercer – “Bound by One Track” (TNT)
DOCUMENTARY AWARD (Category sponsored by Creamsource)
⭐Ben Bernhard and Riju Das for All That Breathes (HBO/HBO Max)
Adam Bricker for Chef’s Table: Pizza – “Franco Pepe” (Netflix)
Wolfgang Held, ASC for This Stolen Country of Mine
Also, The American Society of Cinematographers (ASC) honored the extraordinary careers of five of its members.
⭐Oscar®-nominee Stephen Goldblatt, ASC, BSC was recognized with the 2023 Lifetime Achievement Award by Octavia Spencer.
⭐Darius Khondji, ASC, AFC was presented with the International Award by Alejandro Gonzalez Iñarritu
⭐Fred Murphy, ASC received the ASC Career Achievement in Television Award from Jake Gyllenhaal.
⭐Charlie Lieberman, ASC received the Presidents Award from John Simmons ASC
⭐Sam Nicholson, ASC was presented the Curtis Clark ASC Technical Achievement Award by Stephen Lighthill ASC
EVERYTHING EVERYWHERE ALL AT ONCE WINS BIG AT FILM INDEPENDENT SPIRIT AWARDS.
⭐ EEAAO WINS BEST FEATURE, BEST DIRECTOR, BEST LEAD PERFORMANCE, BEST SUPPORTING PERFORMANCE, BEST SCREENPLAY, BREAKTHROUGH PERFORMANCE AND BEST EDITING.
Best Feature
“Everything Everywhere All at Once”
Best Director
Daniel Kwan and Daniel Scheinert, “Everything Everywhere All at Once"
Best Lead Performance
Michelle Yeoh, “Everything Everywhere All at Once”
Best Supporting Performance
Ke Huy Quan, “Everything Everywhere All at Once”
Breakthrough Performance
Stephanie Hsu, “Everything Everywhere All at Once”
Best Screenplay
“Everything Everywhere All at Once”
Best Editing
Paul Rogers “Everything Everywhere All at Once”
⭐ FLORIAN HOFFMEISTER/TÁR WINS BEST CINEMATOGRAPHY🎥
SAG AWARDS FOR OUTSTANDING PERFORMANCE WINNERS
Television Awards
Outstanding Performance by a Male Actor in a Television Movie or Miniseries.
Sam Elliott, "1883"
Outstanding Performance by a Female Actor in a Television Movie or Miniseries.
Jessica Chastain, "George & Tammy"
Outstanding Performance by a Male Actor in a Drama Series.
Jason Bateman, "Ozark"
Outstanding Performance by a Female Actor in a Drama Series.
Jennifer Coolidge, "The White Lotus"
Outstanding Performance by a Male Actor in a Comedy Series Jeremy Allen White,The Bear"
Outstanding Performance by a Female Actor in a Comedy Series Jean Smart, "Hacks"
Outstanding Performance by an Ensemble in a Drama Series
"The White Lotus"
Outstanding Performance by an Ensemble in a Comedy Series
"Abbott Elementary"
Outstanding Performance by a Male Actor in a Leading Role
Brendan Fraser, "The Whale"
Outstanding Performance by a Female Actor in a Leading Role
Michelle Yeoh, "Everything Everywhere All at Once"
Outstanding Performance by a Male Actor in a Supporting Role
Ke Huy Quan, "Everything Everywhere All at Once"
Outstanding Performance by a Female Actor in a Supporting Role
Jamie Lee Curtis, "Everything Everywhere All at Once"
Outstanding Performance by a Cast in a Motion Picture "Everything Everywhere All at Once"
SOC LIFETIME ACHIEVEMENT AWARDS 2023
SOC Camera Operators of the Year in Film and Television are… 🎥🏆👏
The recipient of Camera Operator of the Year in Film is Daniel Bishop, SOC | ASSOC BSC | ACO (All Quiet on the Western Front)
The recipients of Camera Operator of the Year in Television are Dave Chameides, SOC and “B” Camera Operator Cristian Trova, (Ozark, S 4 Ep 14, “A Hard Way to Go”)
A first for the awards, the SOC announced six nominees for Camera Operator of the Year in both the Film and TV categories; and for a second year nominations include teams of operators.
Bishop topped a talented group of nominees in the film category, including Lukasz Bielan (Bullet Train); Mitch Dubin, SOC with "B" Camera / Steadicam Operator Colin Anderson, SOC (The Fabelmans); Jason Ellson, SOC (Elvis); Geoffrey Haley, SOC (The Gray Man); and Ari Robbins, SOC (Bardo, False Chronicle of a Handful of Truths)
The TV category nominees included multiple collaborative teams: Sam Ellison, SOC with Camera Operator Stanley Fernandez (Severance, S 1 Ep 3, “In Perpetuity”); Sarah Levy, SOC with "B" Camera / Steadicam Operator, Dominic Bartolone, SOC, "C" Camera Operator, Justin Cameron, SOC, and Roller Cam Operator, John Lyke (Winning Time: The Rise of the Lakers Dynasty, S 1 Ep 5, "Pieces of a Man”); Gary Malouf with “B" Camera Operator, Chris Dame (The Bear, S1 Ep7, "The Review”); Jarrett Morgan, SOC (Atlanta, S 3 Ep 5, “Cancer Attack”); and Paul Sanchez with “B” Camera Operator Hilton Goring (The Old Man, S 1 Ep 1, “I”)
During the awards, Oscar nominated actor ColinFarrell was honored with the Governors Award, and ARRI Inc. and Hudson Spider accepted SOC Technical Achievement Awards. The The Gordon Parks Foundation was also recognized during the awards for Parks’ leadership and pioneering of social justice.
The award recipients were celebrated by industry peers and colleagues at the Loews Hollywood Hotel on Saturday, February 25, 2023.
BSC EXPO 2023 OPENS THURSDAY 23rd
⭐ BSC Expo 2023 exhibition floor opens on Friday 24th and Saturday 25th. Plus by special VIP invitation, an evening reception on Thursday, 23rd - DO NOT MISS THE PANELS & SEMINARS. Click image above. ⭐
BAFTA 2023 COMPLETE WINNERS LIST
Best Film
All Quiet on the Western Front - WINNER
Director
Edward Berger, All Quiet on the Western Front - WINNER
Leading Actress
Cate Blanchett, Tár - WINNER
Leading Actor
Austin Butler, Elvis - WINNER
EE Rising Star
Emma Mackey - WINNER
Outstanding British Film
The Banshees of Inisherin - WINNER
British Short Animation
The Boy, The Mole, The Fox and The Horse - WINNER
Costume Design
Elvis - WINNER
Makeup and Hair
Elvis - WINNER
Production Design
Babylon - WINNER
Documentary
Navalny - WINNER
British Short Film
An Irish Goodbye - WINNER
Original Screenplay
The Banshees of Inisherin - WINNER
Original Score
All Quiet on the Western Front - WINNER
Special Visual Effects
Avatar: The Way of Water - WINNER
The Fellowship
Costume designer Sandy Powell - RECIPIENT
Sound
Avatar: The Way of Water - WINNER
Animated Film
Guillermo Del Toro's Pinocchio - WINNER
Outstanding Debut by British Writer, Director or Producer
Charlotte Wells, Aftersun - WINNER
Cinematography
All Quiet on the Western Front - WINNER
Editing
Everything Everywhere All At Once - WINNER
Casting
Elvis - WINNER
Film Not in the English Language
All Quiet on the Western Front - WINNER
Supporting Actress
Kerry Condon, The Banshees of Inisherin - WINNER
Supporting Actor
Barry Keoghan, The Banshees of Inisherin - WINNER
Adapted Screenplay
All Quiet on the Western Front
BEST CINEMATOGRAPHY BAFTA WINNER, ALL QUIET ON THE WESTERN FRONT
⭐ CONGRATULATIONS, JAMES FRIEND ASC BSC, RECIPIENT OF BAFTA'S BEST CINEMATOGRAPHY AWARD ⭐ Click image for preview.
2023 SUNDANCE FILM FESTIVAL AWARDS ANNOUNCED
This year’s award-winning films brought audiences intimately into the stories of Iranian women, trans sex workers, a single mother with a child in foster care, the war in Ukraine, an elementary school in a Mexican border town, the struggle with Alzheimer’s disease, escaping North Korea, the loss of a parent as a young child, a vital black poet, and so much more.
Award recipients make up 15 countries, including the United States, India, Ukraine, Chile, Sweden, Estonia, the United Kingdom, Nigeria, Lithuania, France, Australia, Belgium, Germany, China, and Canada. Their work exemplifies the creative excellence across the program and the represent best of independent film.
The U.S. Grand Jury Prize: Dramatic was presented to A.V. Rockwell for A Thousand and One / U.S.A. (Director and Screenwriter: A.V. Rockwell, Producers: Eddie Vaisman, Julia Lebedev, Lena Waithe, Rishi Rajani, Brad Weston) — Convinced it's one last, necessary crime on the path to redemption, unapologetic and free-spirited Inez kidnaps 6-year-old Terry from the foster care system. Holding on to their secret and each other, mother and son set out to reclaim their sense of home, identity, and stability in New York City. Cast: Teyana Taylor, Will Catlett, Josiah Cross, Aven Courtney, Aaron Kingsley Adetola. World Premiere. Available online.
The U.S. Grand Jury Prize: Documentary was presented to Joe Brewster and Michèle Stephenson for Going to Mars: The Nikki Giovanni Project / U.S.A. (Directors and Producers: Joe Brewster, Michèle Stephenson, Producer: Tommy Oliver) — Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary poet Nikki Giovanni as she reflects on her life and legacy. World Premiere. Available online.
The U.S. Grand Jury Prize: Documentary goes to Going to Mars: The Nikki Giovanni Project.
The World Cinema Grand Jury Prize: Dramatic was presented to Charlotte Regan for Scrapper / U.K. (Director and Screenwriter: Charlotte Regan, Producer: Theo Barrowclough) — Georgie is a dreamy 12-year-old girl who lives happily alone in her London flat, filling it with magic. Out of nowhere, her estranged father turns up and forces her to confront reality. Cast: Harris Dickinson, Lola Campbell, Alin Uzun, Ambreen Razia, Olivia Brady, Aylin Tezel. World Premiere. Available online.
The World Cinema Grand Jury Prize: Documentary was presented to Maite Alberdi for The Eternal Memory / Chile (Director and Producer: Maite Alberdi, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue) — Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer disease. Both fear the day he no longer recognizes her. World Premiere. Available online.
AUDIENCE AWARDS
The Audience Award: U.S. Documentary, Presented by Acura was awarded to Beyond Utopia / U.S.A. (Director: Madeleine Gavin, Producers: Jana Edelbaum, Rachel Cohen, Sue Mi Terry) — Hidden camera footage augments this perilous high-stakes journey as we embed with families attempting to escape oppression from North Korea, ultimately revealing a world most of us have never seen. World Premiere. Available online.
The Audience Award: U.S. Dramatic, Presented by Acura was awarded to The Persian Version / U.S.A. (Director, Screenwriter, and Producer: Maryam Keshavarz, Producers: Anne Carey, Ben Howe, Luca Borghese, Peter Block, Corey Nelson) — When a large Iranian-American family gathers for the patriarch's heart transplant, a family secret is uncovered that catapults the estranged mother and daughter into an exploration of the past. Toggling between the United States and Iran over decades, mother and daughter discover they are more alike than they know. Cast: Layla Mohammadi, Niousha Noor, Kamand Shafieisabet, Bella Warda, Bijan Daneshmand, Shervin Alenabi. World Premiere. Available online.
The Audience Award: World Cinema Dramatic, Presented by United Airlines was awarded to Shayda / Australia (Director, Screenwriter, and Producer: Noora Niasari, Producer: Vincent Sheehan) — Shayda, a brave Iranian mother, finds refuge in an Australian women’s shelter with her 6-year-old daughter. Over Persian New Year, they take solace in Nowruz rituals and new beginnings, but when her estranged husband re-enters their lives, Shayda’s path to freedom is jeopardized. Cast: Zar Amir Ebrahimi, Osamah Sami, Leah Purcell, Jillian Nguyen, Mojean Aria, Selina Zahednia. World Premiere. Available online.
for more information visit: https://festival.sundance.org
NEW! ANGENIEUX OPTIMO PRIME INTERNAL OPTICAL PALETTE (IOP)
⭐The Angenieux Optimo Prime Internal Optical Palette (IOP) allows a cinematographer to add filtration inside each focal length, thus modifying the look of the lens. ---- This opens up a number of creative possibilities that weren't possible before! ---- Not only can filtration be added, but additional material could also be used, such as a net or cutout shape to create a unique bokeh. ---- The growing filtration options for these lenses currently includes the 1/8 Glimmer Glass, 1/8 Black Promist, and 1/8 Low Con. ⭐ AVAILABLE AT KESLOW CAMERA, click image above for more information.
ARRI ALEXA MINI LF RELEASED UPDATE SUP 7.1.1.
⭐ARRI released ALEXA Mini LF Software Update Package SUP 7.1.1. --- This update has the same features as the previous release, but additionally supports the new Codex Compact Drive 2TB, Codex Compact Drives 1TB that were updated for new firmware in ALEXA 35, and all Compact Drives 1TB that are shipped following the release of this SUP. ---- Click image above for more information ⭐
CINE GEAR EXPO 2022 ICG LOCAL 600 ON-SET SAFETY
IATSE/ICG Local 600 Presents: Establishing a Culture of On-Set Safety. ---You have the right to a safe and healthy workplace. Achieving that requires building a culture of awareness, information, communication, action, and guidance.--- Local 600 members have made a longterm commitment to establishing this culture on every set and there are a lot of moving pieces.--- See the videos produced by the Local 600 Safety Committee to build a broader awareness of some of the hazards we can face, catch-up on advancements made around the practice of free driving, RF safety, and extended takes, learn about how to handle safety concerns on-set, the steps being taken toward legislative action and how CSATF safety bulletins developed by a joint labor-management safety committee are being recognized as the industry standard for productions around the world.---- ⚡Panelists: Rebecca Rhine, National Executive Director of IATSE Local 600 / Patrick Cady, ASC, Director of Photography / Moderator: Michael Chambliss, Local 600 Business Representative. ⚡Click image above for more information 🎬
VENICE2 NEW FIRMWARE UPDATE
Sonycine just released a new firmware update for the Sony Venice2 which supports recording in 4K ProRes. For details and download, click image above.
⭐ BSC EXPO FEBRUARY 24-25 2023 @ BATTERSEA EVOLUTION, LONDON
⭐CLICK LOGO TO WATCH 2022 BSC EXPO BEHIND THE SCENES IN VIMEO 🎬 BSC Expo 2023 is taking place at Battersea Evolution on the 24th – 25th February plus the special invitation evening of the 23rd.⭐ REGISTER HERE TO ATTEND FOR FREE ⭐
⭐ SUNDANCE FILM FESTIVAL 2023, JANUARY 19-29, PARK CITY, SALT LAKE CITY & THE SUNDANCE RESORT⭐
2023 Sundance Film Festival Announces Lineup of 99 Feature Films. Click Image to See Lineup.
L-398A STUDIO DELUXE III 70th ANNIVERSARY EDITION. ONLY 700 AVAILABLE.
⭐ Sekonic is celebrating L-398A Studio Deluxe III 70th Anniversary in 2021. Visit 70th.sekonic.com to share our journey and check out the L-398A Studio Deluxe III 70th Anniversary Edition. Based on the original 1956 version of the "Studio Deluxe" meter, this anniversary edition of 700 is available in a burgundy and rose gold - and won't last long. Thank you for your support over the years. Here's to another 70!⭐
CINEMATOGRAPHY WORLD
ARRI LIGHTING HANDBOOK
💡The ARRI Lighting Handbook is designed to help you create the best possible images with your new ARRI Lighting Kit, whether you are using it on location or for studio productions🔆.
⭐IBC AMSTERDAM. 15-18 SEPTEMBER, 2023⭐
SONY VENICE 2 SPECIAL REPORT
CLICK IMAGE TO DOWNLOAD SPECIAL REPORT PDF.
FIND YOUR PERFECT STORY
PREMIUM FOOTAGE STORIES IN REDCODE RAW 4K+ FILES
WANT TO MAKE SIX FIGURES? TRY BEING A DRONE PILOT
Despite what some call an oversaturated market, these freelance drone pilots say they’re making more than $100,000 a year. - Click the image above to read the article. - By Sally French, Social Media Editor & Drone Reporter of Market Watch.
DONATE TO MEDECINS SANS FRONTIERES. HELP TO SAVE LIVES.
🎬CHOOSE FILM⭐SHOOT ON FILM
🎥35MM & 16MM Format Choices for Your Next Independent Feature Film, Documentary or TV Spot Production. Choose the Most Desiderable Format in Motion Picture Image Acquistion.
⭐CANNES F.F.2022 ~~ 25 PRODUCTIONS SHOOT ON KODAK FILM⭐
Cannes 2022 selection features 25 new productions shot on Kodak film
Mia Hansen-Løve, Nicolas Bedos, Owen Kline, Serge Bozon, Charlotte Le Bon, Nicolas Pariser and Jesse Eisenberg all shoot on Kodak film stock.
Kodak Motion Picture and Entertainment is celebrating twenty-five productions shot on film at Cannes Film Festival this year. Four on-film titles will compete in Un Certain Regard with eleven of the twenty-three titles selected for Directors’ Fortnight also captured on film.
And as testimony to the next generation of filmmakers’ commitment to analog capture, four of the shot on film titles premiering at the festival this year were helmed by first time feature directors.
It’s been a strong year for productions shot on film, with 2022 Oscar recognition of shot on Kodak film titles including Don’t Look Up, Licorice Pizza, West Side Story, The Worst Person In The World, Spencer and No Time To Die.
“On behalf of the entire team at Kodak, congratulations to the motion picture artists whose exceptional work was selected to screen and compete at the 2022 Cannes Film Festival,” said Steve Bellamy, president of Kodak Motion Picture and Entertainment. “Film capture continues to grow exponentially across the feature film, TV, music and commercial segments, as evidenced by the strong showing of film titles across the Cannes festival this year. Kodak would like to extend a huge “thank you” to the artists who evangelise and fight for the medium. There’s simply nothing as magical as the photochemical image and we are honoured to help these auteurs realise their artistic visions on film.” said Bellamy.
The films shot on Kodak film and competing or screening as part of the Official Selection at the Cannes Film Festival 2022 between 17 – 28 May are:
Official Selection
Un Certain Regard
Corsage – Marie Kreutzer (35mm)
Godland – Hlynur Pálmason (35mm)
Sick Of Myself – Kristoffer Borgli (35mm)
Harka – Lotfy Nathan (35mm) 1st feature
Out of Competition
Mascarade – Nicolas Bedos (35mm)
Premieres
Don Juan – Serge Bozon (35mm)
Le Pupille (The Pupils) – Alice
Rohrwacher (16mm/35mm)
Cannes Court Métrage
Cannes Court Métrage
Same Old – Lloyd Lee Choi (16mm)
Cherries – Vytautas Katkus (16mm Ektachrome)
Directors’ Fortnight – Feature Films
L’Envol (Scarlet) – Pietro Marcello (35mm)
Les Années Super 8 (The Super 8 Years) – Annie Ernaux & David Ernaux-
Briot (S8) 1st feature
Les Cinq Diables (The Five Devils) –
Léa Mysius (35mm)
Enys Men – Mark Jenkin (16mm)
Falcon Lake – Charlotte Le Bon (16mm) 1st feature
Funny Pages – Owen Kline (16mm) 1st feature
God’s Creatures – Anna Rose Holmer & Saela Davis (35mm)
Un Beau Matin (One Fine Morning) – Mia Hansen-Løve (35mm)
Le Parfum Vert (The Green Perfume) – Nicolas Pariser (35mm)
Directors’ Fortnight – Short Films
Maria Schneider, 1983 – Elisabeth Subrin (16mm)
Jitterbug – Ayo Akingbade (16mm)
Critics Week – Feature Films
Aftersun – Charlotte Wells (35mm)
When You Finish Saving the World – Jesse Eisenberg (16mm)
Critics Week – Short Films
Hideous – Yann Gonzalez (35mm)
ACID – Feature Films
Yamabuki – Juichiro Yamasaki (16mm)
Magdala – Damien Manivel (16mm)
Courtesy of Cinematography World
AN IN DEPTH LOOK AT THE ARRI SKYPANEL S-60C. - ABELCINE.
The ARRI SkyPanel is an LED soft light that is packed with features.
The SkyPanel comes in two different configurations and three sizes.
In this video we will have a closer look at the S-60C model.
C-model SkyPanels have adjustable color temperatures from 2,800K – 10,000K.
In addition, the units have what ARRI describes as Vibrant Color Selection.
This means that color hue and saturation can be adjusted.
ROTOLIGHT NEO 3 & AEOS 2. A BI-COLOR LED AND HSS FLASH
Introducing the new Rotolight AEOS — a powerful, ultra-portable, all in one bi-colour LED light and HSS flash, that brings tremendous versatility to any shoot. Designed for portrait and location photographers and videographers on the move, AEOS is lightweight and portable thanks to its ‘ultra-thin’ design concept. Now includes integrated Elinchrom Skyport HSS flash receiver.
MY EXPERIENCES ON WOODY ALLEN'S "CAFE SOCIETY" BY VITTORIO STORARO ASC, AIC.
⭐76th FESTIVAL DE CANNES 2023⭐
The 76th Cannes Film Festival starts on May 16 and ends on May 27, 2023.
50 years after fellow citizen Ingrid Bergman, Swedish director Ruben Östlund, a two-time winner of the Palme d'or, will preside over the Jury of the 76th edition of the Festival de Cannes to be held from May 16 to 27.
75th FESTIVAL DE CANNES WINNERS' LIST
Ruben Östlund, President of the Jury of the 76th Festival de Cannes.
Feature Films
Palme d'or
TRIANGLE OF SADNESS directed by Ruben ÖSTLUND
Grand Prix (jointly awarded)
CLOSE directed by Lukas DHONT
STARS AT NOON directed by Claire DENIS
Award for Best Director
PARK Chan-Wook for HEOJIL KYOLSHIM (DECISION TO LEAVE)
Award for Best Screenplay
Tarik SALEH for WALAD MIN AL JANNA (BOY FROM HEAVEN)
Jury Prize (jointly awarded)
EO directed by Jerzy SKOLIMOWSKI
LE OTTO MONTAGNE (THE EIGHT MOUNTAINS) directed by Charlotte VANDERMEERSCH & Felix VAN GROENINGEN
75th anniversary Prize
TORI ET LOKITA (TORI AND LOKITA) directed by Jean-Pierre & Luc DARDENNE
Award for Best Actress
Zar AMIR EBRAHIMI in HOLY SPIDER
directed by Ali ABBASI
Award for Best Actor
SONG Kang-ho in BROKER
directed by KORE-EDA Hirokazu
Short Films
Palme d'or
HAI BIAN SHENG QI YI ZUO XUAN YA (THE WATER MURMURS) directed by JIANYING CHEN
Special Mention
LORI (MELANCHOLY OF MY MOTHER'S LULLABIES) directed by Abinash Bikram SHAH
Un Certain Regard
Un Certain Regard Prize
LES PIRES (THE WORST ONES) directed by Lise AKOKA & Romane GUERET
Jury Prize
JOYLAND directed by Saim SADIQ
Best Director Prize
Alexandru BELC for METRONOM
Best Performance Prize (jointly awarded)
Vicky KRIEPS in CORSAGE directed by Marie KREUTZER
Adam BESSA in HARKA directed by Lotfy NATHAN
Best Screenplay Prize
MEDITERRANEAN FEVER directed by Maha HAJ
« Coup de cœur » Prize
RODEO directed by Lola QUIVORON
Caméra d'or
WAR PONY directed by Riley KEOUGH and Gina GAMMELL, presented as part of the UN CERTAIN REGARD Official Selection
Special Mention
PLAN 75 directed by HAYAKAWA Chie
La Cinef
First Prize
IL BARBIERE COMPLOTTISTA (A Conspiracy Man) directed by Valerio FERRARA Centro Sperimentale di Cinematografia, Italie.
Second Prize
DI ER (Somewhere) directed by LI Jiahe. Hebei University of Science and Technology School of Film and Television, Chine.
Joint Third Prize
GLORIOUS REVOLUTION directed by Masha NOVIKOVA London Film School, Royaume Uni.
LES HUMAINS SONT CONS QUAND ILS S’EMPILENT (Humans Are Dumber When Crammed up Together) directed by Laurène FERNANDEZ. La CinéFabrique, France.
Higher Technical Commission (CST)
The CST jury has awarded the CST ARTIST-TECHNICIAN AWARD 2022 to the entire sound crew headed up by Andréas Franck, Bent Holm, Jacob Ilgner and Jonas Rudels for the film TRIANGLE OF SADNESS by Ruben Östlund and the CST Young Film Technician Award to Marion Burger, head set designer for the film UN PETIT FRÈRE (MOTHER AND SON) by Léonor Serraille.
AMERICAN SOCIETY OF CINEMATOGRAPHERS
The American Society of Cinematographers is a non-profit association dedicated to advancing the art of filmmaking. Since its charter in 1919, the ASC has been committed to educating aspiring filmmakers and others about the art and craft of cinematography; it accomplishes this by publishing the internationally renowned magazine American Cinematographer and the venerable American Cinematographer Manual, through seminars at schools and industry events, and via one-on-one mentoring. ASC members volunteer their time for such activities.
SOCIETY OF CAMERA OPERATORS
The principal purpose of the SOC is to recognize and nurture excellence in the field of camera operation and, secondarily, in the allied camera crafts, and to encourage development of both technology and production methods which will help our members achieve that excellence
CANADIAN SOCIETY OF CINEMATOGRAPHERS
FOSTERING CINEMATOGRAPHY IN CANADA SINCE 1957
INTERNATIONAL CINEMATOGRAPHERS GUILD
The International Cinematographers Guild represents the most talented camera professionals in the world. The technicians and artisans in our union are the creators of the visual images on the big screen, the television screen and - as we move into the 21st century - our computer screen. That's why we're so excited about offering this site to our members, everyone in our industry and to people everywhere who want to know more about what we do. International Cinematographers Guild members - Directors of Photography, Camera Operators and Assistants, Computer Graphics Specialists, Visual Effects Supervisors, Still Photographers and more - are part of the International Alliance of Theatrical Stage Employees.
THE BRITISH SOCIETY OF CINEMATOGRAPHY ANNOUNCED 5 FILMS NOMINATED IN FEATURE FILM CATEGORY 2023
⭐The British Society of Cinematographers (BSC) announced the winner of Cinematography in a Feature Film category. ⭐All Quiet on the Western Front (Netflix) James Friend ASC BSC, Cinematographer ⭐ This was the fourth nomination for James Friend ASC BSC who has previously been nominated in the Television Drama category for Rillington Place (2019), Your Honor (2021) and won for Patrick Melrose (2018) ⭐This year heralds the 67th edition of the British Society of Cinematography Awards; Oswald Morris BSC was the first recipient for Moulin Rouge (1953) and most recently Ari Wagner ACS championed for her photography on The Power of the Dog (2021). The BSC award has often acted as precursor to the Academy Award for Best Cinematography with previous recent winners including Mank (2020), 1917 (2019), Roma (2018) and Blade Runner 2049 (2017). ⭐ The 2022 Cinematography in Feature Film category is sponsored by patron Cinelab Film and Digital. ⭐ The 2023 BSC Awards Night took place on February 11th at London’s Royal Lancaster Hotel. 🎬 The winner for Cinematography in a Television Drama is Ben Wheeler, BSC for The Tourist (episode one).
IMAGO EUROPEAN FEDERATION OF CINEMATOGRAPHERS
⭐IMAGO is the European Federation of Cinematographers, a collaborative global umbrella for the world´s Cinematographers Societies.⭐ 📌AFC MICRO SALON April,13-14 2022, Paris, France @afcinema.com
SHOOT ONLINE
SHOOTONLINE provides a full range of creative and production news about the ever-changing landscape of advertising and TV spot production making.
KODAK CINEMATOGRAPHER'S FIELD GUIDE (pdf) ⭐SHOOT FILM⭐
🎥This pocket-sized publication provides up-to-date and easy-to- use information about all KODAK Motion Picture Camera Films and several related subjects. We designed the book to help you choose and order the right films for your needs and to help you use the films most effectively. The guide is divided into five major sections for easy reference: * Motion Picture Camera Films * Filter Information * Tips and Techniques * Formats and Packaging * Ordering Raw Stock
CINEMATOGRAPHY NEWS!!
What is ACES? The Academy Color Encoding System (ACES) is becoming the industry standard for managing color throughout the life cycle of a motion picture or television production. From image capture through editing, VFX, mastering, public presentation, archiving and future remastering, ACES insures a consistent color experience that preserves the filmmaker’s creative vision.
A Tough Day at Below the Line
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There are no veterans of this industry we all toil in that don’t know
extreme lows with the occasional accolade. We find ourselves, me
specifically as Publ...
One Fire At A Time
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I have a philosophy called "One fire at a time." It started with doing
dance floor moves. Basically, it states that when faced with a seemingly
insurm...
Marissa Nadler – For My Crimes
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Marissa Nadler shares the beautifully sweeping title track from her new
album, out September 28th on Sacred Bones / Bella Union. For My Crimes
features an ...
OSCARS 2023
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Oscars Nominations 2023 Academy Award winner Riz Ahmed and Allison
Williams, star of the recent hit film ‘M3gan,’ announce the Oscars 2023
nominations li...
LEARN SOMETHING NEW…!
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My recent posts regarding the LED volume seem to have touched a
nerve; I’ve been inundated with inquiries about how and where to learn
about thi...
A-cam pix
-
From the ikonoskop website, the pictures were taken back from when I went
to Sweden last year with the A-cam. (and yes, this is my camera pictured,
not ...
So Long (for Now!) and Thank You.
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In 2006 I started a lighting blog while working full-time as a staffer at
The Baltimore Sun. By early 2007, it became obvious that I didn't have the
perso...
By: Hot Rod Cameras @ NAB - UPDATE / HRC
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[...] desk since middle of last year, and perhaps with the exception of the
brilliant Mark Forman and David Leitner I've probably logged as many hours
with...
Silence as Adamance: An Interview with PS Vinothraj
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[The following interview was conducted for the Forum section of the
Berlinale, where the filmmaker’s second feature Kottukkaali had its world
premiere in F...
The revised 11th edition of this essential technical reference is now exclusively available for pre-order from the American Society of Cinematographers.
Containing entirely new chapters and substantial rewrites of entries from the previous edition, this hardback book designed for on-set use is a must-have for cinematographers and other motion-imaging professionals.
Edited by M. David Mullen, ASC and ASC associate member Rob Hummel, contributors to this edition include Society members Bill Bennett, Christopher Chomyn, Richard Crudo, Richard Edlund, John C. Hora, Levie Isaacks, Dennis Muren, James Neihouse, Sam Nicholson, Steven Poster, Christopher Probst, Pete Romano, Roberto Schaefer and David Stump.
Topics covered in this new edition of our “Filmmaker’s Bible” include:
Evaluating digital cameras
Take ownership of your sensor
Measuring light
The color science behind modern lighting instruments
Virtual production/emissive screens
Digital versions of day-for-night and infrared cinematography
Imax/large-format cinematography
Specialty lenses
Variable frame rates
ASC Color-Decision List (ASC CDL)
Academy Color Encoding System (ACES)
$99.95.Order your copy at the ASC Store.
click here to purchase the AC Manual at ASC storehttps://store.ascmag.com/products/ac-manual-11th-ed-hardbound">
⭐CINE LENS MANUAL⭐ NEW!
CINE LENS MANUAL.- Co-authored by Jay Holben and Christopher Probst, ASC. ---The Cine Lens Manual is a journey through the world of cinema lenses investigating every possible aspect, from the formation of glass to today's top cinematographic optical tools.--- Since the proliferation of digital-cinema cameras, the demand for vintage and contemporary lenses has increased exponentially.--- Lenses that had fallen into dusty disuse have been revived for a whole new life and manufacturers scramble to introduce new lenses to keep up with demands. --- Now, more than ever, cinematographers, visual-effects artists, camera assistants and filmmakers of all types require a deep understanding of their optics choices.--- 💻Order the book now through the ASC bookstore or by clicking the picture above.⚡
These filters are intended for use whenever significant changes in the color temperature of the illumination are required (for example, daylight to artificial light). The filter may be positioned between the light source and other elements of the system or over the camera lens. *These values are approximate. Check critical work accurately, especially ifyou use more than one filter.
WRATTEN FILTER Filter Exposure Increase Conversion Color Number In Stops in Degrees K 80A 2 3200 to 5500 Blue 80B 1 2/3 3400 to 5500 80C 1 3800 to 5500 80D 1/3 4200 to 5500 85C 1/3 5500 to 3800 85 2/3 5500 to 3400 85N3 1 2/3 5500 to 3400 Amber 85N6 2 2/3 5500 to 3400 85N9 3 2/3 5500 to 3400 85B 2/3 5500 to 3200 85BN3 1 2/3 5500 to 3200 85BN6 2 2/3 5500 to 3200
🎬CINEC 2023. TBA, MUNICH
76TH BRITISH ACADEMY FILM AWARDS 2023
February 19, 2023. Royal Albert Hall, London, BAFTAs honor the best national and foreign films of 2022..
⭐ LENS OF THE WEEK ⭐ COOKE 85-215 MM VAROTAL/I FULL FRAME ZOOM LENS
Cooke 85-215mm Varotal/i Full Frame Zoom Lens - It covers up to Full Frame Sensor Size - 9 Blade Iris, T2.9 to T22 Aperture -PL Mount with /i Technology. Color-Matched to S7/i Prime Range - 114mm Front Diameter, 4' Close Focus - Focus Marks in Feet. 0.8 MOD Cine Gears, M112.5 Filter Thread. --- Click image for more information..
ENERGA CAMERIMAGE 2022. NOV.12-19. TORÚN, POLAND
🎬The International Film Festival of the Art of Cinematography. CAMERIMAGE is the greatest and most recognized festival dedicated to the art of cinematography and its creators - cinematographers.🎥
SONY VENICE2 CAMERA SIMULATOR
The Sony VENICE2 camera simulator is live with now the full menu operation! This interactive tool helps you getting familiar with the VENICE 2 while prepping for your next film and is available in two different versions in order to support the 6K and the 8K version. --- Try it here by clicking image above.
⭐ PRODUCTION EQUIPMENT OF THE WEEK ⚡ THRUVIEW STARGATE STUDIOS ⭐
THRUVIEW STARGATE STUDIOS --- Stargate offers COMPOSITING, 3D, MATTE PAINTING and EDITORIAL SERVICES as well as a REAL-TIME VFX system called THRUVIEW™ that enables Producers, Directors, DPs and Supervisors an easy-to-use tool to produce Photoreal, In Camera VFX while on set. Stargate offers also Real Time Unreal Engine Virtual Production.
DIGITAL HOLLYWOOD/CES 2023 AT ARIA RESORT & CASINO, LAS VEGAS
DARIUS KHONDJI'S MASTERCLASS AT 75TH CANNES FILM FESTIVAL
⭐Darius Khondji's AFC, ASC Cinematography Masterclass in conversation with John Mintzer held at the 75th Cannes Film Festival, sponsored by Angênieux Lenses.⭐ --- Click image above for video link..
