HOMEWARD took three awards home, Best Picture produced by Man Made Content / Sasha Koehn, Justin Bain and Ari Schneiderman and Best Director to Phillip Montgomery and Josh Franer and it was a tie in the category for Best Director with Victor Claramunt for his whimsical and clever whimsical and clever boarding school for girls story, BREAKING RULES. The BEST CINEMATOGRAPHY award went to Louis Bergogne for PARIS EST A NOUS. The BEST ACTRESS award went to Jessy Schram for HOMEWARD.
James Franco was the recipient of the INNOVATORS AWARD. James was on location in Canada and "Skyped live" the audience to receive the award. The BEST ACTOR award went to Antonio Contreras for his performance in AY JOSE!, paying homage to the golden era of Mexican Cinema. During intermission, Antonio Contreras and his ensemble cast, performed a musical repertoire based on the film soundtrack.
Best Fashion award went to Rye Yamagata for THE NEW SOVEREIGNTY. The uber fashionista blogger Michelle Pham was the recipient of the NEW ICON Award. Best Visual Effects award went to Adrien Servadio for STARDUST. In the category of Best Art Direction, Josh Brandao took the award home for SILVER GIRL.
There are not good film festivals without presenting groundbreaking or revealing documentaries and PEYOTE DREAMS by Luis Barreto Carrillo and Amber Moelter took the Best Documentary award to their mantelpiece in Brooklyn. The Best Music Award went to Lykke Li for GUCCI SSI4. The audience laughed, screamed and applauded while screening the vampire sci-fi thriller adventure THE ONE 2, it which deservedly so, got the Best Editing award to Robert E Ball.
THE CIRCLE OF FORTUNE by Mika Ceron, a film with a very ingenious storyline, took the Best Creative Concept award. The Best Costume Design went to the mesmerizing production QUEEN BRUSHANDS by Maison Antonio Urzi. The Best Make Up went to Tony Heredia, Alejandra Catalina Garcia and Ialode Studio for AY JOSE! And the Best Hairstyling went to THE CHASE by Paul Donovan.
Pictured (L-R) Claude Girard, Producer Edward McDonnell, Canadian
cultural journalist Tanya Lapointe, Canadian director Denis Villeneuve
(with Sicario movie in competition this year), French Actress Irène
Jacob, Polish writer & director Agnieszka Holland, DoP Roger
Deakins with his wife James, Thales Angénieux President Pierre Andurand.
During the 68th annual Cannes Film Festival, Angénieux paid tribute to Roger Deakins BSC, ASC on May 22nd, 2015 at the third edition of the Pierre Angénieux Excellens in Cinematography ceremony. This award spotlights the work of Directors of Photography with past honorees including Philippe Rousselot AFC, ASC in 2013 and Vilmos Zsigmond HSC, ASC in 2014.
At the ceremony, a prestigious delegation composed of directors, producers, actors and actresses involved in Roger Deakins' career came to express their respect and appreciation. Guests included directors Joel and Ethan Coen (Deakins photographed eleven of their movies), director Agnieszka Holland (Deakins worked on The Secret Garden), director Denis Villeneuve (Deakins was involved in Prisoners, Sicario, which was in Competition this year at Cannes and the upcoming Blade Runner project), actresses Frances Mc Dormand and Irène Jacob and actor Jake Gyllenhall. Thierry Frémaux, Délégué Général of the Festival, Mike Eyle, a governor on the Board of the BSC and Richard Andry, Vice President of the AFC, also expressed their admiration to Roger Deakins and his contribution to cinema.
Thales Angénieux President, Pierre Andurand, presented Roger Deakins with an Optimo 45-120mm zoom lens specially engraved with his name. Following the ceremony, a dinner was held at La Plage du CNC, where
singer Melissa Laveaux performed a
private concert for a hundred of
Angenieux’s guests.
Angenieux's Pierre Angenieux Excellens in Cinematography Award:
an Angénieux Optimo 45-120 zoom lens specially engraved to Roger Deakins
Roger Deakins receives the
Pierre Angénieux Excellens Lifetime Achievement Award
for
Cinematography at 2015 at Cannes Film Festival.
Pictured (L-R) Agnieszka Holland, James Deakins, Roger Deakins, Ethan Cohen and Frances Mc Dormand
Roger Deakins, known for several collaborations with the Coen Brothers, has worked with many directors including Tim Robbins, Martin Scorcese, Sam Mendes, Denis Villeneuve and Angelina Jolie. He has been a part of an incredible number of movies that are today monuments of cinema such as Barton Fink, The Shawshank Redemption, Fargo, Kundun, The Big Lebowski, O Brother, Where Art Thou?, The Man Who Wasn't There, The Assassination of Jesse James, No Country for Old Men, The Reader, True Grit, Skyfall and Prisoners.
Actress Irene Jacob, James Deakins, DP Roger Deakins, Director Denis Villeneuve and Tanya Lapointe attend the Premiere of "Sicario" during the 68th annual Cannes Film Festival
Along with the tribute presented to Roger Deakins, Angénieux was also particularly present at this Cannes Festival through a wide number of movies shot with Angénieux lenses. Below is a list of movies screened at Cannes and shot with Angénieux lenses:
Out-of-Competition and special Screenings
La Tête Haute by Emmanuelle Bercot -DP Guillaume Schiffman AFC
Mad Max: Fury Road by Georges Miller -DP John Seale
Une Histoire de Fou by Robert Guédiguian - DP Pierre Milon AFC Official Selection / In Competition
Dheepan de Jacques Audiard – DP Eponine Momenceau – Palme d’Or
Mon Roi by Maïwenn - DP Claire Mathon AFC
Youth by Paolo Sorrentino - DP Luca Bigazzi
For more information about the Pierre Angénieux Excellens Lifetime Achievement Award for Cinematography and lenses visit http://www.angenieux.com/
Competition
CAROL Directed by Todd HAYNES
CHRONIC Directed by Michel FRANCO DHEEPAN Directed by Jacques AUDIARD PALM d'or
IL RACCONTO DEI RACCONTI (TALE OF TALES) Directed by Matteo GARRONE
LA LOI DU MARCHÉ (THE MEASURE OF A MAN) Directed by Stéphane BRIZÉ
LOUDER THAN BOMBS Directed by Joachim TRIER
MACBETH Directed by Justin KURZEL
MARGUERITE & JULIEN Directed by Valérie DONZELLI
MIA MADRE (MY MOTHER) Directed by Nanni MORETTI
MON ROI Directed by MAÏWENN NIE YINNIANG (THE ASSASSIN) Directed by HOU Hsiao-Hsien BEST DIRECTOR SAUL FIA (SON OF SAUL) Directed by László NEMES GRAND PRIX
SHAN HE GU REN (MOUNTAINS MAY DEPART) Directed by JIA Zhang-Ke
SICARIO Directed by Denis VILLENEUVE THE LOBSTER Directed by Yorgos LANTHIMOSJURY PRIZE
THE SEA OF TREES Directed by Gus VAN SANT
UMIMACHI DIARY (OUR LITTLE SISTER) Directed by KORE-EDA Hirokazu
VALLEY OF LOVE Directed by Guillaume NICLOUX
YOUTH Directed by Paolo SORRENTINO
Un Certain Regard
ALIAS MARÍA (ALIAS MARIA) Directed by José Luis RUGELES GRACIA
AN Directed by Naomi KAWASE
CHAUTHI KOOT (THE FOURTH DIRECTION) Directed by Gurvinder SINGH COMOARA (THE TREASURE) Directed by Corneliu PORUMBOIU Uncertain Talent Prize HRÚTAR (RAMS) Directed by Grímur HAKONARSON Grand Prix
JE SUIS UN SOLDAT (I AM A SOLDIER) Directed by Laurent LARIVIÈRE KISHIBE NO TABI (JOURNEY TO THE SHORE) Directed by KUROSAWA Kiyoshi Best Director
LAMB Directed by Yared ZELEKE
LAS ELEGIDAS (THE CHOSEN ONES) Directed by David PABLOS
MADONNA Directed by SHIN Su-Won
MARYLAND (DISORDER) Directed by Alice WINOCOUR
MASAAN Directed by Neeraj GHAYWAN
MU-ROE-HAN (THE SHAMELESS) Directed by OH Seung-Uk
NAHID Directed by Ida PANAHANDEH
RAK TI KHON KAEN (CEMETERY OF SPLENDOUR)
Directed by Apichatpong WEERASETHAKUL
TAKLUB Directed by Brillante MENDOZA
THE OTHER SIDE Directed by Roberto MINERVINI
UN ETAJ MAI JOS (ONE FLOOR BELOW) Directed by Radu MUNTEAN ZVIZDAN (THE HIGH SUN) Directed by Dalibor MATANIC Jury Prize
Short films in Competition
AVE MARIA Directed by Basil KHALIL
COPAIN (BUDDY) Directed by Jan ROOSENS, Raf ROOSENS
LE REPAS DOMINICAL (SUNDAY LUNCH) Directed by Céline DEVAUX
LOVE IS BLIND Directed by Dan HODGSON
PATRIOT Directed by Eva RILEY
PRESENTE IMPERFECTO (PRESENT IMPERFECT) Directed by Iair SAID
SALI (TUESDAY) Directed by Ziya DEMIREL
THE GUESTS Directed by Shane DANIELSEN
WAVES '98 Directed by Ely DAGHER
COMPLETE LIST OF WINNERS
FEATURE FILMS - COMPETITION
Palme d'or
DHEEPAN by Jacques AUDIARD
Grand Prix
SAUL FIA (Son of Saul) by László NEMES
Best Director Award
HOU Hsiao-Hsien for NIE YINNIANG (The Assassin)
Jury Prize
THE LOBSTER by Yorgos LANTHIMOS
Best Actress Award
Rooney MARA in CAROL by Todd HAYNES
Emmanuelle BERCOT in MON ROI by MAÏWENN Best Actor Award
Vincent LINDON in LA LOI DU MARCHÉ (The Measure of a Man) by Stéphane BRIZÉ Best Screenplay Award
Michel FRANCO for CHRONIC
SHORT FILMS - COMPETITION
Palme d'or
WAVES '98 by Ely DAGHER
CAMÉRA D’OR
LA TIERRA Y LA SOMBRA by César Augusto ACEVEDO presented during La Semaine de la Critique
The Jury of the CST has awarded the VULCAN AWARD OF THE TECHNICAL ARTIST to:
Tamas ZANYI, sound engineer, for the outstanding contribution of sound to the narration of SAUL FIA (Son of Saul) by László NEMES.
The director and French artist, Agnès VARDA, received an honorary Palme d'or for her collected works from Jane Birkin. The closing film La Glace et le Ciel (Ice and the Sky) by Luc Jacquet was screened at the end of the Ceremony.
This is a webcast from Cannes Film Festival with renowned cinematographer Peter Suschitzky ASC. The webcast provides a unique opportunity to hear the master cinematographer talk about his distinguished creative journey and his experience this year as he joins the judging panel of La Semaine de la Critique at Festival De Cannes.
Peter Suschitzky has been shooting films since 1964, notably alongside David Cronenberg. His impressive filmography includes Star Wars Episode V: The Empire Strikes Back, Mars Attacks!, Naked Lunch, Crash, After Earth shot on the F65 and, most recently, Maps to the Stars shot on the F55.
By producing this worldwide webcast interview, Sony UK continues its commitment to the movie industry.
Dialogue with ASC Cinematographers at J.L. Fisher, SOC, ICG,& ASC
9th Annual Open House & BBQ
The SOC Moving Camera Seminar at J.L Fisher, SOC, ICG & ASC
9th Annual Open House & BBQ
Michael Goi, ASC and George Spiro Dibie, ASC
Robert Primes, ASC answering questions from the attending audience at
the seminar
Dialogue with American Society of Cinematographers Members
(ASC)
Dr. Thomas Lee & Michael Frediani, SOC.at the Society of Camera
Operators booth.
The big raffle prize raising funds in behalf of The
Children Hospital Los Angeles
was a Blackmagic URSA PL camera
The SOC Moving Camera Seminar at J.L Fisher, SOC, ICG & ASC
9th Annual Open House & BBQ
Headcase Cinema Quality VR 360 by Radiant Images
Mole Richardson daylight fixtures (5600 K), Mole 250W Softlite LED, 500W Softlite LED, 900W LED Spacelite 4 on stand (illuminating
face)
A true work horse, Arri 435 on a Fisher 10. (nope , they are not dead
yet).
A J. L Fisher Quattro Pedestal in the background and curved
dolly tracks
The ubiquitous drone. FAA approved Pictorvision’s PV-ML1 medium-lift unmanned aircraft,
which carries a GH4 camera package
Award winning Cooke Primes Lenses Si 27mm T2, Si 40mm T2 ,
5i 65mm T1.4 from ZGC
Movi M 15 with a Ready Rig Cinepro from Radiant Images
stabilizing an ARRI 435
A Sony 65 with 18-85mm Fujinon on a Oconnor fluid head,
JL Fisher riser, Fisher 10 dolly on curved tracks
Car mounts on suction cups
The J.L. Fisher, SOC, ICG,& ASC Open House & BBQ is a great way to spend time socializing with colleagues, friends and vendors while checking out all latest products and services the fast changing motion picture industry has to offer.
Just announced by Canon, the XC10 brings 4K to a compact, versatile system that incorporates a built-in 10x f/2.8-5.6 zoom lens, flip-out 3.0" LCD touchscreen, and a 90-degree rotatable handgrip. Its 1"-type CMOS sensor delivers 8-bit 422 video up to Ultra HD at 24 and 30 fps to CFast 2.0 memory cards. In addition to 4K video, the camera can also capture 12-megapixel photos independently, or extract still images while recording or playing back video. Other notable features include Cinema EOS picture profiles — including the Wide DR and Canon Log — built-in Wi-Fi, and a 4K HDMI 2.0 output.
The Litepanels Caliber 3-Light Kit is the portable, out-of-the-box lighting solution that today’s professional videographers have been waiting for. Ideal for webcasting, blogging and professional content creators, the compact Caliber 3-Light Kit enables easy travel and fast setup.
The latest addition to Litepanels’ award-winning line of LED Fresnels, the Caliber is a true Fresnel fixture with wide focus range that can be powered via AC or with AA batteries. Each fixture offers focusable output comparable to a 150W tungsten yet requires only 17W to power it. The fixture’s compact size and high intensity output make it a valuable production tool in the field. Weighing in at less than 13 pounds, each kit contains (3) Caliber fixtures, (3) AC Adapters with international plug sets, (3) multi-jointed flexible tripods, and a compact stand with stand adapter, offering additional placement options. Everything comes packaged in a fully customizable soft case, with plenty of additional storage space for batteries, camera lenses and other items.
The Sidefinder is a fully featured HD viewfinder with a flip-out 1080p display. It’s the brilliant, natural union between the SmallHD 500 Series Monitor and a cleverly designed, patent-pending, EVF loupe. The Sidefinder gives shooters all the benefits of using a field monitor AND an EVF, without compromising speed, agility, or quality of the image. The Sidefinder represents the highest resolution EVF and the highest resolution 5-inch on-camera monitor in one device.
DJI has just announced the latest update to their Phantom line, which looks set to be a direct replacement of the Phantom 2 — the Phantom 3 Quadcopter . Initially two versions will be available, the Advanced Edition identified by silver stripes on the prop arms, and the Professional Edition likewise distinguished by gold stripes. The most notable feature of these new quadcopters — at least as far as the aerial market is concerned — is the incorporation of a purpose-built, 3-axis gimbal stabilized camera system similar to the one currently found on the Phantom 2 Vision+. Differentiating the Advanced and Professional models is the video resolution of the camera. The Advanced tops out at 1080p, while the Professional bumps recording capability up to 4K. On the photos side, both cameras are equally blessed, able to capture 12MP stills in either JPG or DNG RAW format.
Canon has announced the latest addition to its Cinema EOS family — the C300 Mark II. The camera features several major upgrades over its predecessor; most notably, the ability to record 10/12-bit 4K video at either DCI 4K or Ultra HD resolution internally to CFast 2.0 cards. Additional updates include 4K Raw output over 3G-SDI, a 4K-cappable HDMI 2.0 output, and a new OLED electronic viewfinder. The camera is available with either a Canon EF or PL lens mount, with the EF mount version able to take advantage of Canon's Dual Pixel CMOS AF Technology with compatible lenses.
The Academy and Partners launch ACES at NAB Show!
The Academy Color Encoding System (ACES) is becoming the industry standard for managing color throughout the life cycle of a motion picture or television production. From image capture through editing, VFX, mastering, public presentation, archiving and future remastering, ACES insures a consistent color experience that preserves the filmmaker’s creative vision. In addition to the creative benefits, ACES addresses and solves a number of significant production, post-production and archiving problems that have arisen with the increasing variety of digital cameras and formats in use, as well as the surge in the number of productions that rely on worldwide collaboration using shared digital image files.
ACES is a free, open, device-independent color management and image interchange system that can be applied to almost any current or future workflow. It was developed by hundreds of the industry’s top scientists, engineers and end users, working together under the auspices of the Academy of Motion Picture Arts and Sciences.
ACES 1.0 is the first production-ready release of the system, the result of over 10 years of research, testing and field trials. It includes support for a wide variety of digital and film-based production workflows, visual effects, animation and archiving.
Fiilex Proudly Announces the K303 and All-Weather K304 Three Light Fresnel Kits
A bold take on one of our most popular kits, the standard K303 and All-Weather K304 give you even more power out of the same compact case by offering three color tunable P360(EX)s and three brilliant P2Q Converters. The P2Q Converter attaches to the P360(EX) and uses a 5-Inch Fresnel Lens to intensify the center lux an incredible 8x, focusing the beam angle from 65º to 14º and delivering a hard light and clean shadow. The K303 and K304 offer the perfect balance between power and portability.
Movcam is dedicated to perfecting image stabilization, providing high quality products at an affordable price compared to the leading competition. Movcam's leading stabilization system has a new line designed specifically to work with popular gimbal systems: DJI Ronin* and MoVI**. The stabilization system is available in 2 models: 44 lbs (20 kg) and 55 lbs (25 kg).
Mount Ready: Comes with 2 2" diameter speed rail tubes, 2 stabilization arms rated to either 20kg or 25kg, depending on model. Mounts to industry standard 2" pipe clamps.
G-Mount: The G-Mount is required for use with the DJI Ronin*. Movcam also created a separate dovetail adaptor for use with MoVI**. Mounting the MoVI** gimbal requires both the G-Mount and the dovetail adaptor
Alexa Mini is a 35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System
Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously -- a compelling option for multi-camera setups such as 360° plate shots. Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.
WELCOME TO THE WEBCAST DEDICATED TO THE CRAFT OF CINEMATOGRAPHY & MOTION PICTURE CAMERA OPERATION
🎬 AFI ANNOUNCES 2024 CINEMATOGRAPHY INTENSIVE FOR WOMEN
AFI ANNOUNCES 2024 CINEMATOGRAPHY INTENSIVE FOR WOMEN
Program Presented by Panavision
Intensive Runs July 27-30 on AFI Campus
The American Film Institute (AFI) announced that it is accepting applications for the 2024 Cinematography Intensive for Women (CIW) presented by Panavision. The tuition-free, four-day workshop is designed for aspiring cinematographers who are committed to their journey toward a professional career as cinematographers and are looking for additional training to help them advance in their education, craft and career.
Led by AFI Conservatory Cinematography Discipline Head Stephen Lighthill, ASC, the intensive will take place July 27-July 30 on the AFI Campus in Los Angeles.
“The AFI Cinematography Intensive for Women has proven to be a critical resource for aspiring cinematographers, providing unparalleled access to working cinematographers and hands-on learning environments that are crucial to finding success as a professional cinematographer,” said Lighthill. “We are proud to launch the fifth edition of this transformative workshop and look forward to welcoming the 2024 participants to the AFI Campus in July.”
Modeled after the AFI Conservatory curriculum, the core element of the CIW program is hands-on master classes in the fundamentals of cinematography, along with discussions about the current environment of the film industry and what it means to navigate such environments as women, nonbinary and historically underrepresented cinematographers.
CIW was first launched in 2018 and has featured prominent cinematographers and AFI Conservatory Faculty and Alumni as guest lecturers and teachers, including Emmy® nominee Autumn Durald Arkapaw, ASC (LOKI); Emmy® nominee Ava Berkofsky (INSECURE); Natasha Braier, ASC, ADF (SHE SAID); AFI Conservatory Chair of Visual Storytelling Bill Dill, ASC (B.A.P.S., SOUL FOOD); Jih-E Peng (THE LIGHT AND THE LITTLE GIRL); Polly Morgan, ASC, BSC (THE WOMAN KING); Sandra Valde-Hansen, ASC (PLAN B, THE L WORD: GENERATION Q); and more.
“We’re honored to return as the program sponsor for the AFI Cinematography Intensive for Women,” said Panavision President and CEO Kim Snyder. “This program is an invaluable opportunity for its participants to simultaneously gain experience and build a network for both support and inspiration as they pursue their careers in the motion-picture industry. We look forward to working with and supporting the up-and-coming cinematographers who will participate this year.”
Interested applicants can visit AFI.com to learn more about eligibility and application requirements. The deadline to apply is Friday, May 31 at 11:59 p.m. PT.
The Cinematography Intensive for Women is presented by Panavision.
CIW is part of the AFI Conservatory’s Department of Innovative Programs, which also includes AFI DWW+. Through a range of learning opportunities, Innovative Programs serves a diverse community of aspiring visual storytellers to cultivate cutting-edge technological and media-making skills, bridge access to professional networks and place participants on an upward career trajectory.
Read more about Innovative Programs on Conservatory.AFI.com/Innovative-Programs/.
The AFI Conservatory MFA program has propelled women and nonbinary cinematographers to great success, including Academy Award® nominee Rachel Morrison (AFI Class of 2006, BLACK PANTHER, MUDBOUND), the first woman ever nominated for an Oscar® for Best Cinematography, as well as three-time Emmy® nominee Ava Berkofsky (AFI Class of 2013, INSECURE), Carolina Costa (AFI Class of 2013, HIGH SCHOOL, HALA), Emmy® nominee Autumn Durald Arkapaw, ASC (AFI Class of 2009, LOKI, BLACK PANTHER: WAKANDA FOREVER), Paula Huidobro (Academy Award® Best Picture winner CODA), two-time Grammy® Award winner Melina Matsoukas (AFI Class of 2005, Beyoncé’s “Formation,” INSECURE, as director), Polly Morgan, ASC, BSC (AFI Class of 2005, THE WOMAN KING) and Emmy® winner Mimi Leder (AFI Class of 1973, THE MORNING SHOW, as director), among others. To learn more about the AFI Conservatory film school, visit AFI.edu.
THE PACIFIC NORTHWEST LENS SUMMIT
A Celebration of Cinema Optics
Koerner Camera is excited to bring back the Lens Summit to the Pacific Northwest in 2024 after partnering with CVP for the first European Lens Summit in 2023.
Join attendees and 30+ exhibitors from all over the world at Koerner's Portland, Oregon facility to see the latest in cinema optic technology and accessories. In addition, classes and seminars are held by the leading lens manufacturers, master lens technicians and some of the finest minds in cinema optics.
Fri. May 3rd, 2024 - 10am-5pm
Sat. May 4th, 2024 - 10am-5pm
Koerner Camera Systems 2828 SE 14th Ave Portland, OR 97202
CLICK ABOVE IMAGE TO REGISTER
SUNDANCE FILM FESTIVAL. LONDON 2024
SUNDANCE FILM FESTIVAL: LONDON 2024 REVEALS FULL PROGRAM LINE-UP BURSTING WITH BOLD CINEMATIC VOICES FOR 11TH EDITION
N ADDITION TO FICTION AND DOCUMENTARY FEATURES, THE SELECTION INCLUDES:
PROGRAM OF SPECIALLY CURATED UK SHORT FILMS SURPRISE FILM SCREENING RETURNS PROGRAM WILL ALSO INCLUDE TITLES TO CELEBRATE 40TH EDITION OF THE SUNDANCE FILM FESTIVAL IN THE U.S.
Festival passes on sale now.Tickets on sale to Picturehouse members and festival passholders now. Tickets to general public on sale April 30 Festival runs at Picturehouse Central, London, 6-9 June 2024
London, 23 April 2024 — Picturehouse and the nonprofit Sundance Institute announced today the lineup of 11 feature fiction and documentary films, a specially curated program of UK short films and a strand of repertory titles to celebrate the 40th edition of the Sundance Film Festival in the U.S. for the 11th edition of Sundance Film Festival: London 2024, taking place from 6 to 9 June at Picturehouse Central.
These 11 feature films premiered at the 2024 Sundance Film Festival in Utah in January and were specially curated for London by the Sundance Film Festival programming team in collaboration with Picturehouse. The Festival previously announced that it will open on 6 June with the UK premiere of writer and director Rich Peppiatt’s raucous and infectious Irish-language film, Kneecap and will close on 9 June with the UK premiere of Dìdi (弟弟) written and directed by Academy Award-nominated filmmaker Sean Wang.
In addition to those award-winning opening and closing night films, the Festival presents a full program bursting with buzzy hits from established and first-time feature filmmakers, across narrative film and documentary.
These titles are: Sasquatch Sunset by acclaimed directors David and Nathan Zellner, starring Riley Keough (Mad Max: Fury Road, American Honey) and Academy Award® nominee Jesse Eisenberg (Zombieland, The Social Network); Rob Peace, Chiwetel Ejiofor’s adaptation of Jeff Hobbs’ bestselling and critically acclaimed biography; monster rom-com Your Monster, Caroline Lindy’s wholly original debut;
Megan Park’s fresh coming-of-age journey of self-discovery My Old Ass starring Maisy Stella (Nashville) and Aubrey Plaza (Emily The Criminal); Jane Schoenbrun’s second feature, I Saw The TV Glow; Shuchi Talati’s Girls Will Be Girls winner of the 2024 Sundance Film Festival Audience Award: World Cinema Dramatic and World Cinema Dramatic Special Jury Award for Acting presented to Preeti Panigrahi earlier this year.
The list is rounded off with Thea Hvistendahl’s chilly, disturbing Handling The Undead from Norway, winner of the 2024 Sundance Film Festival World Cinema Dramatic Special Jury Award for Original Music presented to Peter Raeburn at this year’s Festival, starring Renate Reinsve (The Worst Person In The World). The documentaries include Skywalkers: A Love Story by multi-Emmy award winning filmmaker Jeff Zimbalist and Never Look Away by Lucy Lawless in her directorial debut.
Once again, the line-up includes a short film program that is dedicated to UK productions, highlighting some of the amazing talent in the Short Film art form, in films either produced with the UK or made by filmmakers based in the UK. The program comprises seven titles: Good Boy, Alo, (S), Essex Girls, Mamu, Salone Love and Shé (Snake).
This year’s program will also see the return of the ever-popular Surprise Film. Festival goers will have a special chance to catch an unannounced title not yet seen in the UK. The Surprise films in previous years included Bart Layton’s American Animals, Halina Reijn’s Bodies Bodies Bodies and Geremy Jasper’s Patti Cake$.
In a year that celebrated the 40th edition of the Sundance Film Festival in the United States, Sundance Film Festival: London 2024 will also showcase highlights of Sundance features and shorts presented over the years in its repertory strand. Those exciting blasts from the past will be announced in coming weeks.
FOR FULL PROGRAM, CLICK IMAGE ABOVE
BSC EXPO 2024
⭐ Europe’s Premier International Event for Film & TV Production Equipment & Technology Thursday 15th February 2024 VIP Evening Reception (Invitation only), Expo Days: Friday 16th February 2024 10am to 7pm Saturday 17th February 2024 10am to 5pm Battersea Evolution, London
BAFTA 2023 COMPLETE WINNERS LIST
Best Film
All Quiet on the Western Front - WINNER
Director
Edward Berger, All Quiet on the Western Front - WINNER
Leading Actress
Cate Blanchett, Tár - WINNER
Leading Actor
Austin Butler, Elvis - WINNER
EE Rising Star
Emma Mackey - WINNER
Outstanding British Film
The Banshees of Inisherin - WINNER
British Short Animation
The Boy, The Mole, The Fox and The Horse - WINNER
Costume Design
Elvis - WINNER
Makeup and Hair
Elvis - WINNER
Production Design
Babylon - WINNER
Documentary
Navalny - WINNER
British Short Film
An Irish Goodbye - WINNER
Original Screenplay
The Banshees of Inisherin - WINNER
Original Score
All Quiet on the Western Front - WINNER
Special Visual Effects
Avatar: The Way of Water - WINNER
The Fellowship
Costume designer Sandy Powell - RECIPIENT
Sound
Avatar: The Way of Water - WINNER
Animated Film
Guillermo Del Toro's Pinocchio - WINNER
Outstanding Debut by British Writer, Director or Producer
Charlotte Wells, Aftersun - WINNER
Cinematography
All Quiet on the Western Front - WINNER
Editing
Everything Everywhere All At Once - WINNER
Casting
Elvis - WINNER
Film Not in the English Language
All Quiet on the Western Front - WINNER
Supporting Actress
Kerry Condon, The Banshees of Inisherin - WINNER
Supporting Actor
Barry Keoghan, The Banshees of Inisherin - WINNER
Adapted Screenplay
All Quiet on the Western Front
BEST CINEMATOGRAPHY BAFTA WINNER, ALL QUIET ON THE WESTERN FRONT
⭐ CONGRATULATIONS, JAMES FRIEND ASC BSC, RECIPIENT OF BAFTA'S BEST CINEMATOGRAPHY AWARD ⭐ Click image for preview.
2023 SUNDANCE FILM FESTIVAL AWARDS ANNOUNCED
This year’s award-winning films brought audiences intimately into the stories of Iranian women, trans sex workers, a single mother with a child in foster care, the war in Ukraine, an elementary school in a Mexican border town, the struggle with Alzheimer’s disease, escaping North Korea, the loss of a parent as a young child, a vital black poet, and so much more.
Award recipients make up 15 countries, including the United States, India, Ukraine, Chile, Sweden, Estonia, the United Kingdom, Nigeria, Lithuania, France, Australia, Belgium, Germany, China, and Canada. Their work exemplifies the creative excellence across the program and the represent best of independent film.
The U.S. Grand Jury Prize: Dramatic was presented to A.V. Rockwell for A Thousand and One / U.S.A. (Director and Screenwriter: A.V. Rockwell, Producers: Eddie Vaisman, Julia Lebedev, Lena Waithe, Rishi Rajani, Brad Weston) — Convinced it's one last, necessary crime on the path to redemption, unapologetic and free-spirited Inez kidnaps 6-year-old Terry from the foster care system. Holding on to their secret and each other, mother and son set out to reclaim their sense of home, identity, and stability in New York City. Cast: Teyana Taylor, Will Catlett, Josiah Cross, Aven Courtney, Aaron Kingsley Adetola. World Premiere. Available online.
The U.S. Grand Jury Prize: Documentary was presented to Joe Brewster and Michèle Stephenson for Going to Mars: The Nikki Giovanni Project / U.S.A. (Directors and Producers: Joe Brewster, Michèle Stephenson, Producer: Tommy Oliver) — Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary poet Nikki Giovanni as she reflects on her life and legacy. World Premiere. Available online.
The U.S. Grand Jury Prize: Documentary goes to Going to Mars: The Nikki Giovanni Project.
The World Cinema Grand Jury Prize: Dramatic was presented to Charlotte Regan for Scrapper / U.K. (Director and Screenwriter: Charlotte Regan, Producer: Theo Barrowclough) — Georgie is a dreamy 12-year-old girl who lives happily alone in her London flat, filling it with magic. Out of nowhere, her estranged father turns up and forces her to confront reality. Cast: Harris Dickinson, Lola Campbell, Alin Uzun, Ambreen Razia, Olivia Brady, Aylin Tezel. World Premiere. Available online.
The World Cinema Grand Jury Prize: Documentary was presented to Maite Alberdi for The Eternal Memory / Chile (Director and Producer: Maite Alberdi, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue) — Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer disease. Both fear the day he no longer recognizes her. World Premiere. Available online.
AUDIENCE AWARDS
The Audience Award: U.S. Documentary, Presented by Acura was awarded to Beyond Utopia / U.S.A. (Director: Madeleine Gavin, Producers: Jana Edelbaum, Rachel Cohen, Sue Mi Terry) — Hidden camera footage augments this perilous high-stakes journey as we embed with families attempting to escape oppression from North Korea, ultimately revealing a world most of us have never seen. World Premiere. Available online.
The Audience Award: U.S. Dramatic, Presented by Acura was awarded to The Persian Version / U.S.A. (Director, Screenwriter, and Producer: Maryam Keshavarz, Producers: Anne Carey, Ben Howe, Luca Borghese, Peter Block, Corey Nelson) — When a large Iranian-American family gathers for the patriarch's heart transplant, a family secret is uncovered that catapults the estranged mother and daughter into an exploration of the past. Toggling between the United States and Iran over decades, mother and daughter discover they are more alike than they know. Cast: Layla Mohammadi, Niousha Noor, Kamand Shafieisabet, Bella Warda, Bijan Daneshmand, Shervin Alenabi. World Premiere. Available online.
The Audience Award: World Cinema Dramatic, Presented by United Airlines was awarded to Shayda / Australia (Director, Screenwriter, and Producer: Noora Niasari, Producer: Vincent Sheehan) — Shayda, a brave Iranian mother, finds refuge in an Australian women’s shelter with her 6-year-old daughter. Over Persian New Year, they take solace in Nowruz rituals and new beginnings, but when her estranged husband re-enters their lives, Shayda’s path to freedom is jeopardized. Cast: Zar Amir Ebrahimi, Osamah Sami, Leah Purcell, Jillian Nguyen, Mojean Aria, Selina Zahednia. World Premiere. Available online.
for more information visit: https://festival.sundance.org
NEW! ANGENIEUX OPTIMO PRIME INTERNAL OPTICAL PALETTE (IOP)
⭐The Angenieux Optimo Prime Internal Optical Palette (IOP) allows a cinematographer to add filtration inside each focal length, thus modifying the look of the lens. ---- This opens up a number of creative possibilities that weren't possible before! ---- Not only can filtration be added, but additional material could also be used, such as a net or cutout shape to create a unique bokeh. ---- The growing filtration options for these lenses currently includes the 1/8 Glimmer Glass, 1/8 Black Promist, and 1/8 Low Con. ⭐ AVAILABLE AT KESLOW CAMERA, click image above for more information.
ARRI ALEXA MINI LF RELEASED UPDATE SUP 7.1.1.
⭐ARRI released ALEXA Mini LF Software Update Package SUP 7.1.1. --- This update has the same features as the previous release, but additionally supports the new Codex Compact Drive 2TB, Codex Compact Drives 1TB that were updated for new firmware in ALEXA 35, and all Compact Drives 1TB that are shipped following the release of this SUP. ---- Click image above for more information ⭐
CINE GEAR EXPO 2022 ICG LOCAL 600 ON-SET SAFETY
IATSE/ICG Local 600 Presents: Establishing a Culture of On-Set Safety. ---You have the right to a safe and healthy workplace. Achieving that requires building a culture of awareness, information, communication, action, and guidance.--- Local 600 members have made a longterm commitment to establishing this culture on every set and there are a lot of moving pieces.--- See the videos produced by the Local 600 Safety Committee to build a broader awareness of some of the hazards we can face, catch-up on advancements made around the practice of free driving, RF safety, and extended takes, learn about how to handle safety concerns on-set, the steps being taken toward legislative action and how CSATF safety bulletins developed by a joint labor-management safety committee are being recognized as the industry standard for productions around the world.---- ⚡Panelists: Rebecca Rhine, National Executive Director of IATSE Local 600 / Patrick Cady, ASC, Director of Photography / Moderator: Michael Chambliss, Local 600 Business Representative. ⚡Click image above for more information 🎬
VENICE2 NEW FIRMWARE UPDATE
Sonycine just released a new firmware update for the Sony Venice2 which supports recording in 4K ProRes. For details and download, click image above.
⭐ BSC EXPO FEBRUARY 16-17 2024 @ BATTERSEA EVOLUTION, LONDON
⭐CLICK LOGO TO WATCH 2022 BSC EXPO BEHIND THE SCENES IN VIMEO 🎬 BSC Expo 2023 is taking place at Battersea Evolution on the 24th – 25th February plus the special invitation evening of the 23rd.⭐ REGISTER HERE TO ATTEND FOR FREE ⭐
⭐ SUNDANCE FILM FESTIVAL 2023, JANUARY 19-29, PARK CITY, SALT LAKE CITY & THE SUNDANCE RESORT⭐
2023 Sundance Film Festival Announces Lineup of 99 Feature Films. Click Image to See Lineup.
L-398A STUDIO DELUXE III 70th ANNIVERSARY EDITION. ONLY 700 AVAILABLE.
⭐ Sekonic is celebrating L-398A Studio Deluxe III 70th Anniversary in 2021. Visit 70th.sekonic.com to share our journey and check out the L-398A Studio Deluxe III 70th Anniversary Edition. Based on the original 1956 version of the "Studio Deluxe" meter, this anniversary edition of 700 is available in a burgundy and rose gold - and won't last long. Thank you for your support over the years. Here's to another 70!⭐
⭐️ CINEMATOGRAPHY WORLD ⭐️ THE ART AND CRAFT BEHIND THE CAMERA
👉 READ THE LATEST INDUSTRY NEWS: Stephan Pehrsson BSC wins for Photography & Lighting Fiction BAFTA Television Craft Award. ⭐️ CVP and Canon announce 2024 Stories In Motion Young Filmmakers awards winners ⭐️ Zeiss Nano Primes and Zeiss CinCraft Scenario received NAB Show 2024 Product of the Year Awards and much more!
ARRI LIGHTING HANDBOOK
💡The ARRI Lighting Handbook is designed to help you create the best possible images with your new ARRI Lighting Kit, whether you are using it on location or for studio productions🔆.
⭐IBC AMSTERDAM. 13-15 SEPTEMBER, 2024⭐
SONY VENICE 2 SPECIAL REPORT
CLICK IMAGE TO DOWNLOAD SPECIAL REPORT PDF.
FIND YOUR PERFECT STORY
PREMIUM FOOTAGE STORIES IN REDCODE RAW 4K+ FILES
WANT TO MAKE SIX FIGURES? TRY BEING A DRONE PILOT
Despite what some call an oversaturated market, these freelance drone pilots say they’re making more than $100,000 a year. - Click the image above to read the article. - By Sally French, Social Media Editor & Drone Reporter of Market Watch.
DONATE TO MEDECINS SANS FRONTIERES. HELP TO SAVE LIVES.
🎬CHOOSE FILM⭐SHOOT ON FILM
🎥35MM & 16MM Format Choices for Your Next Independent Feature Film, Documentary or TV Spot Production. Choose the Most Desiderable Format in Motion Picture Image Acquistion.
⭐CANNES F.F.2022 ~~ 25 PRODUCTIONS SHOOT ON KODAK FILM⭐
Cannes 2022 selection features 25 new productions shot on Kodak film
Mia Hansen-Løve, Nicolas Bedos, Owen Kline, Serge Bozon, Charlotte Le Bon, Nicolas Pariser and Jesse Eisenberg all shoot on Kodak film stock.
Kodak Motion Picture and Entertainment is celebrating twenty-five productions shot on film at Cannes Film Festival this year. Four on-film titles will compete in Un Certain Regard with eleven of the twenty-three titles selected for Directors’ Fortnight also captured on film.
And as testimony to the next generation of filmmakers’ commitment to analog capture, four of the shot on film titles premiering at the festival this year were helmed by first time feature directors.
It’s been a strong year for productions shot on film, with 2022 Oscar recognition of shot on Kodak film titles including Don’t Look Up, Licorice Pizza, West Side Story, The Worst Person In The World, Spencer and No Time To Die.
“On behalf of the entire team at Kodak, congratulations to the motion picture artists whose exceptional work was selected to screen and compete at the 2022 Cannes Film Festival,” said Steve Bellamy, president of Kodak Motion Picture and Entertainment. “Film capture continues to grow exponentially across the feature film, TV, music and commercial segments, as evidenced by the strong showing of film titles across the Cannes festival this year. Kodak would like to extend a huge “thank you” to the artists who evangelise and fight for the medium. There’s simply nothing as magical as the photochemical image and we are honoured to help these auteurs realise their artistic visions on film.” said Bellamy.
The films shot on Kodak film and competing or screening as part of the Official Selection at the Cannes Film Festival 2022 between 17 – 28 May are:
Official Selection
Un Certain Regard
Corsage – Marie Kreutzer (35mm)
Godland – Hlynur Pálmason (35mm)
Sick Of Myself – Kristoffer Borgli (35mm)
Harka – Lotfy Nathan (35mm) 1st feature
Out of Competition
Mascarade – Nicolas Bedos (35mm)
Premieres
Don Juan – Serge Bozon (35mm)
Le Pupille (The Pupils) – Alice
Rohrwacher (16mm/35mm)
Cannes Court Métrage
Cannes Court Métrage
Same Old – Lloyd Lee Choi (16mm)
Cherries – Vytautas Katkus (16mm Ektachrome)
Directors’ Fortnight – Feature Films
L’Envol (Scarlet) – Pietro Marcello (35mm)
Les Années Super 8 (The Super 8 Years) – Annie Ernaux & David Ernaux-
Briot (S8) 1st feature
Les Cinq Diables (The Five Devils) –
Léa Mysius (35mm)
Enys Men – Mark Jenkin (16mm)
Falcon Lake – Charlotte Le Bon (16mm) 1st feature
Funny Pages – Owen Kline (16mm) 1st feature
God’s Creatures – Anna Rose Holmer & Saela Davis (35mm)
Un Beau Matin (One Fine Morning) – Mia Hansen-Løve (35mm)
Le Parfum Vert (The Green Perfume) – Nicolas Pariser (35mm)
Directors’ Fortnight – Short Films
Maria Schneider, 1983 – Elisabeth Subrin (16mm)
Jitterbug – Ayo Akingbade (16mm)
Critics Week – Feature Films
Aftersun – Charlotte Wells (35mm)
When You Finish Saving the World – Jesse Eisenberg (16mm)
Critics Week – Short Films
Hideous – Yann Gonzalez (35mm)
ACID – Feature Films
Yamabuki – Juichiro Yamasaki (16mm)
Magdala – Damien Manivel (16mm)
Courtesy of Cinematography World
AN IN DEPTH LOOK AT THE ARRI SKYPANEL S-60C. - ABELCINE.
The ARRI SkyPanel is an LED soft light that is packed with features.
The SkyPanel comes in two different configurations and three sizes.
In this video we will have a closer look at the S-60C model.
C-model SkyPanels have adjustable color temperatures from 2,800K – 10,000K.
In addition, the units have what ARRI describes as Vibrant Color Selection.
This means that color hue and saturation can be adjusted.
ROTOLIGHT NEO 3 & AEOS 2. A BI-COLOR LED AND HSS FLASH
Introducing the new Rotolight AEOS — a powerful, ultra-portable, all in one bi-colour LED light and HSS flash, that brings tremendous versatility to any shoot. Designed for portrait and location photographers and videographers on the move, AEOS is lightweight and portable thanks to its ‘ultra-thin’ design concept. Now includes integrated Elinchrom Skyport HSS flash receiver.
MY EXPERIENCES ON WOODY ALLEN'S "CAFE SOCIETY" BY VITTORIO STORARO ASC, AIC.
⭐ THE. 77th FESTIVAL DE CANNES 2024⭐
The 77 Cannes Film Festival starts on May 16 and ends on May 14 to May 26 2024
AMERICAN SOCIETY OF CINEMATOGRAPHERS
The American Society of Cinematographers is a non-profit association dedicated to advancing the art of filmmaking. Since its charter in 1919, the ASC has been committed to educating aspiring filmmakers and others about the art and craft of cinematography; it accomplishes this by publishing the internationally renowned magazine American Cinematographer and the venerable American Cinematographer Manual, through seminars at schools and industry events, and via one-on-one mentoring. ASC members volunteer their time for such activities.
SOCIETY OF CAMERA OPERATORS
The principal purpose of the SOC is to recognize and nurture excellence in the field of camera operation and, secondarily, in the allied camera crafts, and to encourage development of both technology and production methods which will help our members achieve that excellence
CANADIAN SOCIETY OF CINEMATOGRAPHERS
FOSTERING CINEMATOGRAPHY IN CANADA SINCE 1957
INTERNATIONAL CINEMATOGRAPHERS GUILD
The International Cinematographers Guild represents the most talented camera professionals in the world. The technicians and artisans in our union are the creators of the visual images on the big screen, the television screen and - as we move into the 21st century - our computer screen. That's why we're so excited about offering this site to our members, everyone in our industry and to people everywhere who want to know more about what we do. International Cinematographers Guild members - Directors of Photography, Camera Operators and Assistants, Computer Graphics Specialists, Visual Effects Supervisors, Still Photographers and more - are part of the International Alliance of Theatrical Stage Employees.
THE BRITISH SOCIETY OF CINEMATOGRAPHY
IMAGO EUROPEAN FEDERATION OF CINEMATOGRAPHERS
⭐IMAGO is the European Federation of Cinematographers, a collaborative global umbrella for the world´s Cinematographers Societies.⭐ 📌AFC MICRO SALON April,13-14 2022, Paris, France @afcinema.com
SHOOT ONLINE
SHOOTONLINE provides a full range of creative and production news about the ever-changing landscape of advertising and TV spot production making.
KODAK CINEMATOGRAPHER'S FIELD GUIDE (pdf) ⭐SHOOT FILM⭐
🎥This pocket-sized publication provides up-to-date and easy-to- use information about all KODAK Motion Picture Camera Films and several related subjects. We designed the book to help you choose and order the right films for your needs and to help you use the films most effectively. The guide is divided into five major sections for easy reference: * Motion Picture Camera Films * Filter Information * Tips and Techniques * Formats and Packaging * Ordering Raw Stock
CINEMATOGRAPHY NEWS!!
What is ACES? The Academy Color Encoding System (ACES) is becoming the industry standard for managing color throughout the life cycle of a motion picture or television production. From image capture through editing, VFX, mastering, public presentation, archiving and future remastering, ACES insures a consistent color experience that preserves the filmmaker’s creative vision.
One Fire At A Time
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I have a philosophy called "One fire at a time." It started with doing
dance floor moves. Basically, it states that when faced with a seemingly
insurm...
Marissa Nadler – For My Crimes
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Marissa Nadler shares the beautifully sweeping title track from her new
album, out September 28th on Sacred Bones / Bella Union. For My Crimes
features an ...
OSCARS 2023
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Oscars Nominations 2023 Academy Award winner Riz Ahmed and Allison
Williams, star of the recent hit film ‘M3gan,’ announce the Oscars 2023
nominations li...
HAS EVERYTHING BEEN DONE ALREADY…?
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Last year’s award-winning Oppenheimer (Christopher Nolan\Hoyte van
Hoytema, ASC, FSF, NFC) and Maestro (Bradley Cooper\Matthew Libatique, ASC,
L...
A-cam pix
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From the ikonoskop website, the pictures were taken back from when I went
to Sweden last year with the A-cam. (and yes, this is my camera pictured,
not ...
So Long (for Now!) and Thank You.
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In 2006 I started a lighting blog while working full-time as a staffer at
The Baltimore Sun. By early 2007, it became obvious that I didn't have the
perso...
By: Hot Rod Cameras @ NAB - UPDATE / HRC
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[...] desk since middle of last year, and perhaps with the exception of the
brilliant Mark Forman and David Leitner I've probably logged as many hours
with...
Love Sex Aur Dhokha 2 (2024)
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Whether one admires it or not, it is hard to deny that Dibakar Banerjee’s
Love Sex Aur Dhokha 2 is unlike anything being made in Mumbai right now.
The arra...
The revised 11th edition of this essential technical reference is now exclusively available for pre-order from the American Society of Cinematographers.
Containing entirely new chapters and substantial rewrites of entries from the previous edition, this hardback book designed for on-set use is a must-have for cinematographers and other motion-imaging professionals.
Edited by M. David Mullen, ASC and ASC associate member Rob Hummel, contributors to this edition include Society members Bill Bennett, Christopher Chomyn, Richard Crudo, Richard Edlund, John C. Hora, Levie Isaacks, Dennis Muren, James Neihouse, Sam Nicholson, Steven Poster, Christopher Probst, Pete Romano, Roberto Schaefer and David Stump.
Topics covered in this new edition of our “Filmmaker’s Bible” include:
Evaluating digital cameras
Take ownership of your sensor
Measuring light
The color science behind modern lighting instruments
Virtual production/emissive screens
Digital versions of day-for-night and infrared cinematography
Imax/large-format cinematography
Specialty lenses
Variable frame rates
ASC Color-Decision List (ASC CDL)
Academy Color Encoding System (ACES)
$99.95.Order your copy at the ASC Store.
click here to purchase the AC Manual at ASC storehttps://store.ascmag.com/products/ac-manual-11th-ed-hardbound">
⭐CINE LENS MANUAL⭐ NEW!
CINE LENS MANUAL.- Co-authored by Jay Holben and Christopher Probst, ASC. ---The Cine Lens Manual is a journey through the world of cinema lenses investigating every possible aspect, from the formation of glass to today's top cinematographic optical tools.--- Since the proliferation of digital-cinema cameras, the demand for vintage and contemporary lenses has increased exponentially.--- Lenses that had fallen into dusty disuse have been revived for a whole new life and manufacturers scramble to introduce new lenses to keep up with demands. --- Now, more than ever, cinematographers, visual-effects artists, camera assistants and filmmakers of all types require a deep understanding of their optics choices.--- 💻Order the book now through the ASC bookstore or by clicking the picture above.⚡
These filters are intended for use whenever significant changes in the color temperature of the illumination are required (for example, daylight to artificial light). The filter may be positioned between the light source and other elements of the system or over the camera lens. *These values are approximate. Check critical work accurately, especially ifyou use more than one filter.
WRATTEN FILTER Filter Exposure Increase Conversion Color Number In Stops in Degrees K 80A 2 3200 to 5500 Blue 80B 1 2/3 3400 to 5500 80C 1 3800 to 5500 80D 1/3 4200 to 5500 85C 1/3 5500 to 3800 85 2/3 5500 to 3400 85N3 1 2/3 5500 to 3400 Amber 85N6 2 2/3 5500 to 3400 85N9 3 2/3 5500 to 3400 85B 2/3 5500 to 3200 85BN3 1 2/3 5500 to 3200 85BN6 2 2/3 5500 to 3200
🎬CINEC . February 28-29, 2024 Kleine Olympiahalle München
Kleine Olympiahalle München
ROSCO FILTERS & DIFFUSIONS. MYCOLOR APP.
The MYCOLOR app provides easy access to Rosco’s color filters. Use the app to search, filter, sort, compare, and favorite all of Rosco’s color filters on your mobile device.
The app features all Rosco filter ranges:
● Roscolux
● Supergel
● e-colour+
● GamColor
● Cinegel
● OPTI-FLECS
● Roscolene
The free app also features a palette builder for users to create a collection of color filters for their projects or productions. MYCOLOR is available for iOS and Android devices. Download by clicking image.
76TH BRITISH ACADEMY FILM AWARDS 2023
February 19, 2023. Royal Albert Hall, London, BAFTAs honor the best national and foreign films of 2022..
⭐ LENS OF THE WEEK ⭐ COOKE 85-215 MM VAROTAL/I FULL FRAME ZOOM LENS
Cooke 85-215mm Varotal/i Full Frame Zoom Lens - It covers up to Full Frame Sensor Size - 9 Blade Iris, T2.9 to T22 Aperture -PL Mount with /i Technology. Color-Matched to S7/i Prime Range - 114mm Front Diameter, 4' Close Focus - Focus Marks in Feet. 0.8 MOD Cine Gears, M112.5 Filter Thread. --- Click image for more information..
ENERGA CAMERIMAGE 2024. NOV.16-23 TORÚN, POLAND
🎬The International Film Festival of the Art of Cinematography. CAMERIMAGE is the greatest and most recognized festival dedicated to the art of cinematography and its creators - cinematographers.🎥
SONY VENICE2 CAMERA SIMULATOR
The Sony VENICE2 camera simulator is live with now the full menu operation! This interactive tool helps you getting familiar with the VENICE 2 while prepping for your next film and is available in two different versions in order to support the 6K and the 8K version. --- Try it here by clicking image above.
⭐ PRODUCTION EQUIPMENT OF THE WEEK ⚡ THRUVIEW STARGATE STUDIOS ⭐
THRUVIEW STARGATE STUDIOS --- Stargate offers COMPOSITING, 3D, MATTE PAINTING and EDITORIAL SERVICES as well as a REAL-TIME VFX system called THRUVIEW™ that enables Producers, Directors, DPs and Supervisors an easy-to-use tool to produce Photoreal, In Camera VFX while on set. Stargate offers also Real Time Unreal Engine Virtual Production.
DIGITAL HOLLYWOOD/CES 2023 AT ARIA RESORT & CASINO, LAS VEGAS
DARIUS KHONDJI'S MASTERCLASS AT 75TH CANNES FILM FESTIVAL
⭐Darius Khondji's AFC, ASC Cinematography Masterclass in conversation with John Mintzer held at the 75th Cannes Film Festival, sponsored by Angênieux Lenses.⭐ --- Click image above for video link..